探討數位藝術中的身體演繹與感知經驗

The Study of Body Transformation and Perceived Experience In Digital Arts

黃盟欽(Meng-Chin Huang)

數位藝術 ； 動態影像 ； 身體媒介 ； 互文性 ； Moving Images ； Digital Arts ； Body as Media ； Intertextuality

數位媒體設計國際研討會論文集

第十二屆（2019 / 06 / 14）

287 - 292

繁體中文;英文

探討數位藝術中實驗開創性作品，動態影像結合數位媒介表現形式，其創作動機傳遞出身體潛能意志，反應涉及身體關係與行為結構，透過所顯現的技術操作下，混合文化性、跨領域、多媒材的詮釋方式，召喚觀眾感受體驗不同的感官途徑，延伸探討身體做為起點，第一重層次是觀念性的轉化，經由身體的介入與知覺傳導，產生視覺意象中的觸視覺觀感；第二種層次是實驗創作精神，以「身體媒介」（Body as medium）將意識投射其中，轉譯反映創作者的情感模式。本文旨要探討數位藝術作品運用媒體技術的結合，觀眾在置身其中的情境下，轉變為訊息交流的關係場，開展於創作者、觀眾與作品之間，存在互文性（intertextuality）的對話關係。

This dissertation Explores experimental art works in digital era. Moving images combined with digital media to convey the body's potential, the reaction involves physical relationships and behavioral structures, through the emergence of technical operations, mixed cultural, cross-domain, and more Interpretation of media materials, summoning audiences to experience different sensory ways, extending the discussion of the body as a starting point, the first level is the conceptual transformation, through the intervention of the body and perceptual conduction, producing a visual sense of visual imagery; The second level is the spirit of experimental creation. The motivation is projected as "Body as medium", and the translation reflects the creator's emotional pattern. The purpose of this dissertation is to explore the use of media technology in a combination of digital art works. In the context of the audience, the audience turns into a field of information exchange, and there is an intertextuality dialogue between the creator, the audience and the work.