题名 |
在「小說」與「童話」邊緣-從「小說童話」看「兒童」與「成人」兩大文學板塊相互靠近 |
并列篇名 |
On the Border of "Fiction" and "Fairy Tale": From the view of "fantasy" to find that "Children" & "Adult" the two major literature plate are closing to each other |
DOI |
10.6739/ttchl.200205_(7).0008 |
作者 |
黃秋芳(Chiu-Fang Huang) |
关键词 |
小說童話 ; 童話小說 ; 小說 ; 童話 ; 結構 ; 人物 ; 風格 ; fantasy ; pantomimic novel ; fiction/novel fairy tale ; structure ; characters ; style |
期刊名称 |
兒童文學學刊 |
卷期/出版年月 |
7期(2002 / 05 / 01) |
页次 |
177 - 197 |
内容语文 |
繁體中文 |
中文摘要 |
本文奠基於蔡尚志的童話分類「小說童話」,確認小說童話在「結構變化」、「人物塑造」和「作家風格」三方面形成革命性變化,已然侵入少年小說、侵入成人文學的範疇,從麥克‧安迪的奇幻視野和馬奎斯的魔幻寫實做分析舉證,深入解說「小說童話」在小說與童話邊緣,一方面開拓童話的表現面向,另一方面也淨化小說的哲學象徵。這樣的文學演進,深化了兒童文學作品的形式和技巧,同時也擴大了兒童文學的版圖,更重要的是,小說童話仍然在嶄新的文學環境裡生養裂變,小說和童話界限模糊,成人和兒童界限模糊,「兒童文學」和「成人文學」這兩大文學板塊,正以不安定同時也不確定的速率在相互靠近、相互影響,我們除了慎重觀察之外,還需要學習用更多元、更包容的視野,深耕「小說童話」的創作與欣賞,這是我們身處的後現代主義所帶來的美好新希望。 |
英文摘要 |
This article is based on the assortment of Fairy Tale by Shang-Chih Tsai We confirmed that the "fantasy" have created a revolution development in the aspect of "structure", "character" and "style". The fantasy has gone into the area of the Young Adult Fiction and the Adult literature. We analysis and demonstrate in phantasm view of the Michael Ende and the magic fancy realist of the Gabriel Garcia Marquez deeply explaining that the fantasy on the border of "fiction" and "fairy tale" on one hand expanding expressions of Fairy Tale, on the other hand refining the philosophical symbol of fiction This development of literature has made the work's form, technique and the area of the children's literature becoming thicker and wider. Most important of all, fantasy still growing and amending, then the border of fiction and fairy tale becomes equivocal. Children's literature and Adult literature are the two major literature plate that are moving, closing and impacting each other in this imbalance and uncertain speed. We should regard carefully and learn how to use more multifarious and broad views to make the creation and enjoyment of the fantasy planting deeply. We may expect the brave new hope of Postmodernism. |
主题分类 |
人文學 >
中國文學 |