女貞之歌：論駱綺蘭〈擬玉溪生燕臺四首〉對李商隱的承變及其意義

Songs of Nu Zhen: Luo Qilan's Imitation of Yu Xisheng's Yan Tai Si Shou and the Meaning Behind Her Imitation of Li Shangying

10.29419/SICL.202307_(56).0006

李品杉(Li Pin-shan)

駱綺蘭 ； 李商隱 ； 〈擬玉溪生燕臺四首〉 ； 擬作 ； 男女雙性 ； Luo Qilan ； Imitation of Yu Xi Sheng's Yan Tai Si Shou ； Li Shangying ； Yan Tai Si Shou ； imitation poems ； groups of imitation poems ； androgyny ； the pursuit of literary fame

中國文學研究

56期（2023 / 07 / 01）

207 - 251

繁體中文;英文

本文以駱綺蘭〈擬玉溪生燕臺四首〉為中心，藉由與李商隱〈燕臺四首〉的比較，以求能夠初步探究「李商隱如何影響清代女性詩人」這一論題。從駱綺蘭的擬作來看，確可見得李商隱對駱綺蘭有著特殊的影響，但駱綺蘭在擬作中也有相當鮮明的新變意識，呈現她對於李商隱的反省與挑戰：形式上，她雖繼承了李商隱詩中意象的華麗與模糊性，但去除了意象的跳躍性；她也加強了全詩的聯章性，形成特殊的「擬作聯章」。內容上，她在擬作中呈現對李商隱原詩中「女性與豔情連結」的不滿，轉而引入「文士化的女性形象」。從此個案，便可修正先行學者對「李商隱如何影響清代女性詩人」的既有論述，尤可見女性詩人學習李商隱時未必學其「陰柔美」，而展現具有「男女雙性」特徵的詩風。就駱綺蘭的作家研究而言，過去學者主要由駱綺蘭的編輯行為呈現她「追求詩名」這一迥異於過往女詩人的特徵，本文則指出，從擬作中亦可見得她在詩歌表現上也力求「詩名流傳」的企圖。

This thesis centers on Luo Qilan's Imitation of Yu Xisheng's Yan Tai Si Shou. Through a comparison with Li Shangying's Yan Tai Si Shou, this article attempts preliminarily research into the question of "how Li Shangying affected women poets of the Qing Dynasty." Reading the poems reveals that Luo Qi Lan had an apparent intent to innovate by showing her reflections on and challenges to Li Shang Ying, while also being influenced by him in her imitation poems. In the literary form of the poems, she inherited the gorgeousness and ambiguity of imagery from Li Shangying's poems. However, she removed one feature from Li Shangying's poems: obscure correlations between images. Additionally, she strengthened unity of her group poems as well, creatively structuring a "group of imitation poems." In the literary content of the poems, Luo expressed her dissatisfaction with the connection between women and romantic themes, introducing "gentlemanly women" (no different from ordinary male intellectual "gentlemen" who care for the country and people) as her response. By analyzing these poems, we can rectify the existing discourses on "how Li Shangying affected female poets of the Qing Dynasty." This paper's analysis especially shows that women poets did not always acquire so-called "feminine beauty" from Li Shangying. On the contrary, they manifested an "androgynous" style. With regards past research into Luo Qilan, scholars have suggested that her book editing work shows that her "pursuit of literary fame" was distinct from that of other women poets in the history. This article points out that Luo's imitative poetry works show her intention to pursue poetic fame.