|
中文摘要
|
Though restraint is a theme frequently discussed in scholarly works on Wong Kar-wai's In the Mood for Love, the underlying Chinese reticent poetic tradition has nonetheless gone mostly unnoticed. This article seeks to understand the tradition and its potentiality in terms of a particular mode of visuality that I designate as anality, viewing the very act of holding or withholding treasured things, ideas, or affects as a function of anal retention that sometimes complies with while at other times contradicts collective Chinese norms. The ambivalence of such anal visuality is perceivable in the movie's defamiliarization of time and space, which subjects characters to the gaze of an inquisitive community while simultaneously insulating and transposing them into an elsewhere free from the pressure of surveillance. The anality as well as the potentiality thereof, I argue, consists in the very spatialization of the attempt to conserve, be it an unsaid/ unrepresented event or time arrested in the form of slow motion. I conclude this article by aligning this anal logic of conservation with an impersonal, Buddhist- inflected notion of melancholia via a close examination of the film's last few shots of Angkor Wat.
|
|
参考文献
|
-
Andrew, Dudley(2010).What Cinema Is! Bazin’s Quest and its Charge.Oxford, UK:Wiley-Blackwell.
-
Benedict, Ruth(2005).The Chrysanthemum and the Sword: Patterns of Japanese Culture.New York:Mariner Books.
-
Brunette, Peter(2005).Wong Kar-wai.Urbana:U of Illinois P.
-
Chang, Eileen(1991).Huigu zhan I.Taipei:Crown.
-
Chow, Rey(1999).Seminal Dispersal, Fecal Retention, and Related Narrative Matters: Eileen Chang’s Tale of Roses in the Problematic of Modern Writing.differences: A Journal of Feminist Cultural Studies,11(2),153-176.
-
Derrida, Jacques(2006).Specters of Marx: The State of the Debt, the Work of Mourning, and the New International.New York:Routledge.
-
Freud, Sigmund(1995).The Standard Edition of Complete Psychological Works of Sigmund Freud.London:Hogarth.
-
Freud, Sigmund(1915).The Standard Edition of Complete Psychological Works of Sigmund Freud.London:Hogarth.
-
Freud, Sigmund(1995).The Standard Edition of Complete Psychological Works of Sigmund Freud.London:Hogarth.
-
Fuhrmann, Arnika(2016).Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema.Durham:Duke UP.
-
Lee, Vivian P. Y.(2009).Post-Nostalgia: In the Mood for Love and 2046.Hong Kong Cinema Since 1997: The Post-Nostalgic Imagination,London:
-
Liao, Yung-chao(2006)。Chumo Huayang nianhua: Tigan xingshi, chugan shijue, yiji biaomian lishi。Chung Wai Literary Monthly，35(2)，85-110。
-
Liu, Jen-peng,Ding, Nai-fei(2005).Reticent Poetics, Queer Politics.Inter-Asia Cultural Studies,6(1),30-55.
-
Lok, Fung(2015)。Ruhua meijuan: Lun Huayang nianhua de niandai jiyi yu lianwu qingjie。Wang Kar-wai de yinghua shijie，Hong Kong:
-
Massumi, Brian(1995).The Autonomy of Affect.Cultural Critique,31,83-109.
-
Nochimson, Martha P.(ed.)(2016).A Companion to Wong Kar-wai.Oxford, UK:Wiley Blackwell.
-
Sedgwick, Eve Kosofsky(2003).Touching Feeling: Affect, Pedagogy, Performativity.Durham:Duke UP.
-
Teo, Stephen(2005).Wong Kar-wai.London:BFI.
-
Wang, David Der-wei(2015).The Lyrical in Epic Time: Modern Chinese Intellectuals and Artists Through the 1949 Crisis.New York:Columbia UP.
-
Wong, Kar-wai(2015)。Wo chang huanxiang ziji shi xizhige: Wong Kar-wai fangtanlu。Wang Kar-wai de yinghua shijie，Hong Kong:
-
Wong, Kar-wai, dir. In the Mood for Love. Perf. Tony Leung and Maggie Cheung. Seville, 1997. DVD.
-
Yeh, Te-hsuan(2013).Chineseness as a Liminal Form of Being: Psychoanalysis and Eileen Chang’s ‘Red Rose and White Rose.’.The Reception and Rendition of Freud in China: China’s Freudian Slip,London:
-
Yeh, Te-hsuan(2017).Defacing Shame.Perverse Taiwan: From the Gender and Sexual Peripheries of Postcolonial Belonging,London:
|
