《文心雕龍．神思篇》中的藝術創作思維與創造性思維之比較

Comparison between artistic creation thinking and creative thinking in Dragon-Carving and the Literary Mind．Imagination

10.6891/9789865796648.201809.0048

湯博雲(Tang bo yun)；李婷婷(Li Ting ting)

〈神思〉篇 ； 藝術創作思維 ； 創造性思維 ； Imagination ； artistic creative thinking ； Creative thinking

LSHI 2018聯結x共生:文化傳承與設計創新國際學術研討會論文集

2018年（2018 / 09 / 01）

597 - 609

繁體中文

劉勰所著《文心雕龍》是中國文學史上第一部完整且具系統化整理的文學理論專著，〈神思〉篇是《文心雕龍》創作論的首篇，又是創作總論。该篇以構思為主，又是剖析情理的第一篇，「馭文之首術，謀篇之大端」。〈神思〉篇中主要論述藝術思維活動、審美情感、審美感知、美學意義，本文以〈神思〉篇為研究對象，重點論述藝術思維活動，進而和創造性思維進行比較，在文學和設計學領域中找出共通之處。

Liu Xin's ＂Dragon-Carving and the Literary Mind＂ is the first complete and systematic literary theory monograph in the history of Chinese literature, The ＂Imagination＂ is the first chapter of the ＂Dragon-Carving and the Literary Mind＂ creation theory, and it is also the general theory of creation. This is the first of the concept, but also the analysis of reason. ＂The first technique of the essay, the big end of the article.＂ The article ＂Spirit＂ mainly discusses artistic thinking activities, aesthetic emotions, aesthetic perceptions, and aesthetic significance. The author focuses on artistic thinking activities, and then compares them with creative thinking to find commonalities in literature and design.