從席德進的彩墨山水畫中探詢史作檉的哲學思想

Exploring the Philosophy of Zuocheng Shi through the Color Ink Paintings of De-Jinn Shiy

10.6891/9789865796648.201809.0049

沈慈珍(Shen Tzu chen)

席德進 ； 史作檉 ； 魅力一族 ； Zuocheng Shi ； De-Jinn Shiy ； Charmnt

LSHI 2018聯結x共生:文化傳承與設計創新國際學術研討會論文集

2018年（2018 / 09 / 01）

611 - 619

繁體中文

席德進(1923-1981)，一位從大陸四川因戰亂而來到台灣的一位藝術家，一生當中幾經漂流，最後落腳台灣，並且把台灣作為第二故鄉。本文從席德進的歷經，從大陸到台灣，再從台灣到歐美各國遊歷，最後，在台灣結束了他精彩又短暫的生命，在這當中其對，席德進對於生命的體驗，影響了他對於藝術創作之事，從人、自然與歷史的角度做為詮釋主體，影響了一生創作的理念。由於已有多篇對席德進各種繪畫媒材及藝術的相關研究，但針對其作品的哲學思想方面的探討並不多，至於席德進的「現代國畫」的部分，雖有一篇，但個人認為在哲學的部分，還可以再進一步的探討。因此，本文的研究動機將席德進「現代國畫」的變革，提出其創新並且合乎潮流的思想，從哲學的角度看待其創造性的新思維；再者，對於席德進所留下的文字中，關於創作歷程的哲學思想，與史作檉的哲學有些不謀而合之處，欲藉此文，提出其相互的關聯性；在研究方法的部分，以席德進所留下的親手文字資料，以及史作檉的著作中，提出兩者在創作哲思與哲學思想的相互呼應之處；研究目的是為了將席德進創作的作品或創作理念以史作檉所言之中國哲學的思想中，以人、自然與歷史的觀點，探究席德進創作藝術美學中的深奧之處。在本研究結果顯示，席德進感受到中國傳統文化的珍貴與優秀，投入中國傳統繪畫的創作與改革，事實上，這也是以「整體」的角度來看中國畫，才體會到中國繪畫是一種工具，也是一種真藝術性的表達，更是對生命、自然或歷史真切的反省與暗示性表達的能力。

Shiy De-Jinn (1923-1981), an artist who came to Taiwan from Mainland China due to the war, drifted through Taiwan after a few years of life and finally settled in Taiwan. He also regarded Taiwan as his second hometown. This article depicted Shiy De-Jinn's travel from China to Taiwan ,and then from Taiwan to Europe and the United States. Finally, he ends his wonderful and transient life in Taiwan, where his experience of life and his influence on the creation of art, from the perspective of people, nature and history, are the subjects that influence the creation of a lifetime. There has been much research on various media and art of painting by Shiy but not much discussion on the philosophical thinking of his works. As for the part of his ＂modern Chinese painting＂, although there is an article, I personally believe that it can still be further explored as far as the philosophical is concerned. Therefore, the research motivation of this article is based on Shiy's reform of ＂modern Chinese painting＂, and put forward its innovative and trend-conscious thoughts, and look at its creative new thinking from the perspective of philosophy. Moreover, regarding the text left by Shiy, about the creative process, his philosophical thoughts are in some ways coincident with those of Shi Zuocheng's works. The purpose is to use this article to put forward their mutual relevance; in the part of the research method, the personal handwriting information left by Shiy and Shi's works, proposing the mutual echo of the two in the creation of philosophical thinking; the purpose of this research is to investigate Shiy's works or creative ideas from Shi's viewpoint of the history of the Chinese philosophy, using the views of people, nature and history to explore the essence of creating Artistic aesthetics. The results of this study show that in the ink paintings of Shiy, he deeply felt the preciousness and excellence of traditional Chinese culture, and then devoted in the creation and reform of traditional Chinese painting. In fact, this is also a Chinese painting from the perspective of ＂the whole＂. It is only then that Chinese painting is a tool and a kind of real artistry. The expression is more the ability to reflect on life, nature, or history and to express it implicitly.