當代攝影的編導美學：以攝影書《床上拓撲學》為例

Staging Aesthetics of Contemporary Photography: A Case Study on Topology in Bed

10.6922/THJAR.202112_(3).0001

朱盈樺(Yin-hua Chu)

自出版 ； 床上拓撲學 ； 場面調度 ； 編導攝影 ； 攝影書 ； self-publishing ； Topology in Bed ； mise-en-scène ； staged photography ； photobook

清華藝術學報

3期（2021 / 12 / 31）

1 - 19

繁體中文

本文以2015年挪石社出版的攝影書《床上拓撲學》為分析案例，探討當代攝影的編導美學。這件計畫是由藝術家倪和孜發起，在她的主張下，父親（倪其才）進行作品創作、攝影師友人（陳藝堂）進行拍攝、母親不參與，在攝影書編輯後、並於創作者身分註明為倪其才時，整件藝術計畫方才完成。這本攝影書分別從不同角度指向當代攝影中場面調度的概念思維。本文藉由書名中的「拓撲學」思考這件創作計畫的「編導」形態，透過精神分析、攝影史等論述角度，說明此藝術實踐如何擴張攝影的場面調度概念。

This study provides an in-depth analysis of the photobook Topology in Bed published by Taiwan-based independent publisher nos:books in 2015. The project was initiated by artist Son Ni, carried out by her father (Ni Chi-Tsai) at her request, and photographed by Chen Yi-Tang, a photographer and friend of Son Ni; her mother was not involved. The entire project was unfinished until the photobook was completed and Ni Chi-Tsai assumed authorship. This photobook highlights concepts and thoughts in ＂contemporary photography＂ from multiple angles. This study not only adopts a ＂topological＂ view on the ＂staging＂ form of this photobook, but also explicates how its artistic practice expanded the forms of mise-en-scène in photography with reference to psychoanalysis and the history of photography, thereby developing an alternative approach to the staging aesthetics of contemporary photography.

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