英文摘要
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There are some existing opinions about "digital museum" being impracticable. Many issues on digital archives and applications are open for discussion, however, the digital interpretation technology involved in related issues requires more discussion and intervention from different perspectives. "Art Appreciation" is tacit knowledge when it is subjective experience observation, however, when it is expressed through embodied and visualized texts or multimedia, then it is explicit knowledge. "Digital interpretation" is to provide third-party expertise to construct searchable, accessible, usable, recognizable, and perceptible interactions on the basis of existing "content specialty" and "technical specialty." As far as digital interpretation is concerned, "tacit knowledge" and "explicit knowledge" are indeed mutually beneficial and supportive. Consequently, this research uses digital archives as material, discusses the issue of "sharing authority" after the digital democratization as open source, and specifically implements it through "digital curation" methods with digital interpretation technology as the core. In response to the research conclusions from "defects to dialogue to creation," this research proposes "Ternary Structure" as a concrete reference model for the co-construction of digital content and digital technology.
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