题名

沉浸於空間中的身體感知：空間沉浸式互動裝置藝術之美學評析

并列篇名

Body Perception in the Immersive Space: Aesthetic Analysis of Spatial-Immersive Interactive Installation Works of Art

DOI

10.6922/THJAR.202212_(4).0004

作者

萬丹雅(Dan-Ya Wan)

关键词

互動裝置藝術 ； 共感聯覺 ； 沉浸空間 ； 身體感 ； 知覺體驗 ； interactive installation art ； synaesthesia ； immersive space ； corporeality ； perception

期刊名称

清華藝術學報

卷期/出版年月

4期（2022 / 12 / 31）

页次

57 - 80

内容语文

繁體中文;英文
中文摘要

基於數位科技的快速發展，觀者參與藝術的知覺體驗因互動科技與沉浸式藝術的結合而被強調。涉及場域氛圍營造的空間沉浸式互動裝置藝術因加入人機互動，觀者除了以空間情境感受外，亦可利用互動體驗沉浸其中，此感知經驗涉及精神與感官知覺統合的身體感運作，產生共感聯覺的美學體驗。本文從重新定義「空間沉浸式互動裝置藝術」出發，透過相關互動裝置藝術作品作為分析文本，針對沉浸空間、人機互動與知覺體驗展開討論，於此將產生「空間－互動－身體」關係，並進而以「空間－互動」與「互動－身體」探討空間沉浸式互動裝置藝術之美學觀點。
英文摘要

Due to the rapid development of digital technology, the combination of interactive technology and immersive art emphasizes the perceptual experience of the participant's engagement in the artwork. The spatial - immersive interactive installation work of art involves the creation of a spatial atmosphere and the process of a human - computer interface. Therefore, in addition to feeling through the spatial situation, participants can also immerse themselves in the interactive experiences. This perceptual experience consists of the operation of the corporeality that integrates the spiritual dimension with the sensory perception, resulting in the aesthetic experience of synesthesia. On the basis of interactive installation art, "the spatial - immersive interactive installation work of art" emphasizes the atmosphere and integration with the space to create an immersive experience. Departing from the re -definition of "the spatial - immersive interactive installation work of art," this research deeply examines immersive space, the mechanism of the human - computer interface, and body perception through the relevant interactive installation artworks as analytical cases. In terms of experiencing the spatial-immersive interactive installation works of art, there will be a relationship between "spatial-interaction- body." As discussed above, based on the "spatial- interaction" relationship and the "interaction -body" relationship, this research discusses immersive experiences and explores the aesthetics of spatial- immersive interactive installation art.
主题分类 人文學 > 藝術
参考文献
  1. 林大維,吳佩樺(2010)。互動藝術脈絡與其美學之研究。藝術學報，87，31-54。
    連結：
  2. 邱誌勇(2012)。填補空隙：論新媒體藝術作品中觀者的位置。傳播研究與實踐，2(2)，101-138。
    連結：
  3. 陳永賢(2005)。互動式媒體藝術創作觀念之探討。藝術學報，77，51-66。
    連結：
  4. 曾鈺涓(2005)。電玩成為藝術形式的可能性。中外文學，34(3)，65-84。
    連結：
  5. Grau, Oliver(2003).Virtual Art: From Illusion to Immersion.Massachusetts:MIT press.
  6. Grau, Oliver(ed.)(2017).Museum and Archive on the Move.Berlin:De Gruyter.
  7. Kluszczynski, Ryszard W.(2010).Strategies of Interactive Art.Journal of Aesthetics & Culture,2(1),1-27.
  8. Kwastek, Katja(2015).Aesthetics of Interaction in Digital Art.Massachusetts:MIT Press.
  9. Manovich, Lev(2002).The Language of New Media.Massachusetts:MIT Press.
  10. Manovich, Lev. “Interaction as An Aesthetic Event,” Semantic Scholar, https://www.semanticscholar.org/paper/Interaction-as-an-aesthetic-event-Manovich/440ae3d140b56cad964640c0347c29f77e68b4b0, download on 1 January 2022.
  11. Meecham, Pam,Sheldon, Julie(2013).Modern Art: A Critical Introduction.London:Routledge.
  12. Reboul, Anne(2015).Decoupling, Situated Cognition and Immersion in Art.Cognitive Processing,16(1),355-358.
  13. Seifert, Uwe(ed.),Kim, Jin Hyun(ed.),Moore, Anthony(ed.)(2008).Paradoxes of Interactivity.Bielefeld:Transcript.
  14. Seo, Jinsil Hwaryoung,Greg, Corness(2015).Aesthetics of Immersion in Interactive Immersive Installation: Phenomenological Case Study.Proceedings of International Symposium of Electronic Arts (ISEA),Vancouver, Canada:
  15. Simanowski, Roberto(2011).Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations.Minneapolis:University of Minnesota Press.
  16. 林珮淳（編）(2012).臺灣數位藝術e檔案.臺北:藝術家出版社.
  17. 林珮淳,范銀霞(2004)。從數位藝術探討互動觀念、媒介與美學。藝術學報，74，99-111。
  18. 邱誌勇(2012).關鍵論述與在地實踐：在地脈絡下的新媒體藝術.臺北:數位藝術基金會.
  19. 曾鈺涓(2010)。新竹，國立陽明交通大學應用藝術研究所。
  20. 黃冠閔(2016)。觸覺─知覺或想像？。現象學與人文科學，6，151-189。
  21. 奧伯特, Mathias(2005)。生活世界，肉身與藝術－梅洛龐蒂（Maurice MerleauPonty）、華登菲（Bernhard Waldenfels）與當代現象學。臺大文史哲學報，63，225-250。
  22. 蔡財元(2010)。互動藝術的機制與影音表徵初探─以Jeffrey Shaw的互動藝術作品為分析案例。美術學刊，1，21-50。
  23. 蕭雨青,嚴貞(2005)。數位媒體藝術互動介面初探。設計研究，5，18-25。
  24. 龔卓軍(2006).身體部署─梅洛龐蒂與現象學之後.臺北:心靈工坊.
print cancel