题名 |
歌仔戲演員「腳色運用」之研究──以楊麗花電視歌仔戲為例 |
并列篇名 |
The Manipulation of Characters of Taiwanese Opera Actors - A Case Study of Yang Li-Hua's Taiwanese Opera on Television |
作者 |
楊馥菱(Yang, Fu-Ling) |
关键词 |
臺灣歌仔戲 ; 演員妝扮 ; 楊麗花 ; 電視歌仔戲 ; Taiwanese Opera ; actor's makeup ; Yang Li-Hua ; Taiwanese Opera on Television |
期刊名称 |
北市大語文學報 |
卷期/出版年月 |
23期(2020 / 12 / 01) |
页次 |
55 - 78 |
内容语文 |
繁體中文;英文 |
中文摘要 |
本文旨在討論歌仔戲演員「腳色運用」的發展脈絡以及實質意義,以臺灣社會歷史脈絡為背景,爬梳歌仔戲演員「妝扮」的變化,並以臺灣歌仔戲坤生楊麗花為例,分析其腳色運用之表演藝術。全文第一節為「前言」,概述歌仔戲的發展與演變,以及楊麗花在臺灣歌仔戲史的意義;第二節「歌仔戲演員的『妝扮』」,先對於歌仔戲「妝扮」的發展做一歷史考究,以瞭解該劇種中「男扮女」、「女扮男」的演變情形;第三節「楊麗花及其電視歌仔戲」,專就楊麗花生平及其電視歌仔戲表演藝術進行論述,樹立楊麗花在臺灣歌仔戲史上之學術地位與學術價值;第四節「楊麗花電視歌仔戲之表演藝術及其腳色運用」,針對楊麗花之表演藝術和腳色運用進行分析,探究她在戲曲妝扮上的藝術特色;第五節「結語」,總結本文的論述,並說明楊麗花電視歌仔戲的腳色運用之特色。 |
英文摘要 |
This paper aims to discuss the development and significance of manipulation of Taiwanese Opera characters. Based on Taiwan's social and historical context, this study reviews the changes in Taiwanese opera actor's "makeup". This paper further analyzes Yang Li-Hua's performing arts and her manipulation of opera characters through a case study of Yang, who usually acted as Kunsheng (male impersonator) in Taiwanese opera. The first section of this paper is a preface, which outlines the development and evolution of Taiwanese opera and the significance of Yang Li-Hua in Taiwanese opera history. The second section discusses the "makeup" of the Taiwanese opera actors. Through a historical study of the development of Taiwanese Opera's "makeup", this section expects to understand the evolution of male impersonation and female impersonation in Taiwanese opera. The third section focuses on Yang Li-Hua and her Taiwanese Opera performance on television. The author deals with Yang's life and her artistic merit in TV performance and proposes her academic status and research value in Taiwanese opera history. The fourth section is the performing art and Yang Li-Hua's manipulation of opera characters in her Taiwanese Opera on television. This section analyzes Yang's performing art and her manipulation of characters, exploring the artistic features in her opera "makeup". The fifth section is the conclusion, which summarizes the viewpoints of this paper, and further illustrates the feature of Yang's manipulation of opera characters. |
主题分类 |
人文學 >
語言學 |
参考文献 |
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