| 题名 |
隙縫中的聲響：嚴歌苓短篇小說中的移民女聲 |
| 并列篇名 |
Voices in the Seams: the Female Immigrant Voices in Geling Yan's Fictions |
| 作者 |
邱珮萱(Chiu, Pei-Hsuan) |
| 关键词 |
嚴歌苓 ； 華文文學 ； 移民書寫 ； 離散遷移 ； 女性話語 ； Geling Yan ； Chinese Language Literature ； Diaspora ； Female Discourse |
| 期刊名称 |
北市大語文學報 |
| 卷期/出版年月 |
17期（2017 / 12 / 01） |
| 页次 |
1 - 22 |
| 内容语文 |
繁體中文;英文 |
| 中文摘要 |
嚴歌苓在九○年代初期的移民書寫系列作品，不同於前行代作家作品瀰漫無根迷失的流離氛圍，有著離散遷移敘述的當代意義，而成為華文文學重要的研究新資源。在〈栗色頭髮〉〈少女小漁〉〈簪花女與賣酒郎〉三篇中，嚴歌苓以語言窒礙生動深刻地書寫置身異域的女性移民，那種隙縫中要求生存的為難困惑，藉以帶出現實生活壓力、情感精神依存、文化身分認同種種困頓的孤絕。她將這分難以言說的內在心靈感觸，選擇最具象的語言窒礙來傳遞，對巨大的東西方文化發出自我存在價值與意義的聲響。嚴歌苓以重回母語重拾自我的具體行動，選擇採取立處邊緣為己發聲進而為人發聲作為創作之路的序幕。因此本文著重於嚴歌苓初發聲響的剎那捕捉，以嚴歌苓早期短篇小說為分析對象，將身處異國如何重回母語用以發聲，尋覓出一條合理解析的途徑。 |
| 英文摘要 |
Geling Yan's series of immigrant writing in the early 1990s carries the contemporary senses of diaspora, which is different from the rootless and disoriented atmosphere in the works of preceding writers. Yan's works have become important new resources for Chinese language literature studies. In the three stories Maroon Hairs, The Girl Xiaoyu and The Girl that Wears Flowers and the Alcohol Seller, Yan narrates language barriers to vividly and deeply present female immigrants in a foreign country. In a foreign culture, they could not express themselves completely due to language barriers. Through the narration, Yan depicts the setbacks, loneliness, and depression resulting from real life stress, emotional reliance for survival, and cultural identity. Yan chooses the most concrete images of language barriers to transmit the indescribable inner sentiment and raises questions regarding the enormous cultural value systems of the West and the East. Her works absolutely reflect a deep and meaningful reverse thinking of writing strategies. |
| 主题分类 |
人文學 >
語言學 |
| 参考文献 |
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