英文摘要
|
The study is to design a wearable interactive music system, expecting to expand the scope of application of wearable devices for music performance. Object-oriented program Max/MSP was used as a development environment to build up system operation structure, user’s interface, and sound mapping design.
The explanation of study framework of each chapter is as below: Chapter One: general background information, briefly introducing the wearable device function and development; Chapter Two: literature review, collecting information on recent works of wearable interactive music performances; Chapter Three: system design, illustrating system structure and signal process; Chapter Four: system implementation, illustrating operating system and user’s operating interface design: Chapter Five: Opinion Poll, proceeding questionnaire assessment on music technology related background users; Chapter Six: conclusion, displaying the outcome and bringing up the improved direction in future.
|
参考文献
|
-
[2] S. Mann. Humanistic Computing: WearComp as a New Framework and Application for Intelligent Signal. Proceedings of The IEEE, 1998, 86(11): 2123- 2151.
連結:
-
[6] Gershon Dublon; Joseph Paradiso, FingerSynth: Wearable Transducers for Exploring the Environment with Sound, NIME2014
連結:
-
[14] Iannis Xenakis, Formalized Music: Thought and Mathematics in Composition. Bloomington and London: Indiana University Press, 1971
連結:
-
[1] The History of Wearable Tech, From the Casino to the Consumer. http://mashable.com/2014/05/13/wearable-technology-history/, Accessed on 18 October 2014.
-
[3] Lady’s gloves, http://sonami.net/ladys-glove/
-
[4] AUDFIT, https://vimeo.com/88823872
-
[5] Ray Li demonstrates "The Aura".
-
https://www.youtube.com/watch?v=yvXcC69ZpuM
-
[7] Yoonchang Han; Jinsoo Na; Kyogu Lee, FutureGrab: A wearable synthesizer using vowel formants, NIME2012
-
[8] EvaSjuve, Prototype GO: Wireless Controller for Pure Data,NIME2008
-
[9] Sidney Fels; Robert Pritchard; Allison Lenters, ForTouch: A Wearable Digital Ventriloquized Actor, NIME2009
-
[10] Thomas Mitchell; Imogen Heap, SoundGrasp: A Gestural Interface for the PerformanceofLiveMusic, NIME2011
-
[11] Cycling74, https://cycling74.com/
-
[12] C. Roads, The Computer Music Tutorial. Cambridge, MA: MIT Press, 1996
-
[13] "Voice Modelling Processor". Sound on Sound 2002. Retrieved 17 February 2011.
-
[15] Curtis Roads, "The Computer Music Tutorial". Cambridge and London: The MIT Press, 1996
-
[16] Lloyd, Llewelyn Southworth (1970). Music and Sound. Ayer Publishing. p. 169.
-
[17] Hodgson, Jay (2010). Understanding Records, p.118
-
[18] Langford, S. 2014. Digital Audio Editing. Burlington: Focal Press. pp. 47-57.
|