题名

博物館特展媒體行銷策略之研究-以故宮「悠遊風景繪畫-俄羅斯普希金博物館特展」為例

并列篇名

Media Marketing Strategy of a Museum's Special Exhibition-Taking the National Palace Museum "Masterpieces of French Landscape Paintings from The Pushkin State Museum of Fine Arts, Moscow" as an Example

作者

溫家瑋(Chia-Wei Wen)

关键词

普希金特展 ; 媒體行銷 ; 博物館行銷策略 ; 4V行銷理論 ; pushkin exhibition ; media marketing ; museum marketing strategy ; 4V marketing theory

期刊名称

藝術學報

卷期/出版年月

106期(2020 / 06 / 01)

页次

131 - 150

内容语文

繁體中文

中文摘要

特展的舉辦,為博物館展示活動中重要的一環。本文係為瞭解博物館在辦理國際性特展時,其媒體的行銷策略與成效,特以故宮「悠遊風景繪畫-俄羅斯普希金博物館特展」為研究個案,並以文獻分析法和訪談法進行研究。經研究其媒體宣傳包含電視新聞與廣告,平面媒體報章雜誌和實體文宣,以及透過網路平台架設官網與臉書粉絲專頁等。研究結果發現:1.國內近年在舉辦國際性特展時,博物館自身因礙於資金與行銷宣傳管道的限制,策劃模式漸從博物館為主導,媒體集團為輔,轉向為兩者共同策劃,並由媒體集團挹注資金與規劃行銷策略。2.20世紀90年代後,高科技產業迅速崛起,網路與智慧型手機普及,使銷售者(主辦方)與消費者(觀眾)之間溝通更透明便利。資訊透明使觀眾對於消費需求更具個人化,以符合自身需求,於此主辦方須擬定更多元的行銷方案以吸引觀眾,其狀態相當符合差異化(Variation)、變通性(Versatility)、價值觀(Value)、共鳴感(Vibration)之4V行銷理論,故本研究以4V行銷理論分析之。最後,本研究建議:1.為維持傳統閱讀模式客群,應保留一定比例平面媒體宣傳。2.網路平台可更多元地針對不同族群宣傳,如開設IG可吸引年輕族群的高互動性與關注熱度。3.展覽籌措時先進行展前觀眾調查,可更精準地擬定完善的行銷策略。

英文摘要

Special exhibition are an important part of the exhibition activities of museums. In order to understand the marketing strategies and effects of media in the special international exhibitions conducted by museums, in this paper, literature analysis method and interview method were used to study the case of the "Masterpieces of French Landscape Paintings from The Pushkin State Museum of Fine Arts, Moscow" in the National Palace Museum. By analysis, the media publicity includes television news and advertisements, newspapers, magazines and entity propaganda of print media, and online platforms such as official websites and Facebook fan pages. The study results show that: (1) In the recent special international exhibitions conducted in Taiwan, restrained to museums' funds and marketing channels, the planning mode is gradually changing from being dominated by museums and supplemented by media groups to being jointly planned by both, and media groups invest money and plan marketing strategies. (2) Since 1990, the rapid rise of high-technology industries and popularization of network and mart phones have made the communications between seller (organizers) and consumers (audience) more transparent and convenient. Information transparency has made the audience's demands for consumption more personal to meet their own needs. As a result, organizers have been required to propose more diversified marketing plans to attract audience. This status is fairly consistent with the marketing theory of 4Vs (variation, versatility, value and vibration), so this theory was used for analysis in this study. Finally, this study suggests that: (1) The customers in order to maintain the traditional reading pattern, should retain a percentage. (2) Publicity network platform designed to target different ethnic groups more diverse propaganda, such as the opening of a IG can attract young people high interactivity and focus on the heal. (3) Exhibition raise to show before the audience survey, can be more accurate to formulate perfect marketing strategy.

主题分类 人文學 > 藝術
参考文献
  1. 洪櫻純(2005)。博物館與休閒規劃:閒暇時間與自由感。博物館學季刊,19(3),51-61。
    連結:
  2. Jim Addison (1999). How the net and print media can help each other. Campaign [On-line], Available: Specify path https://www.campaignlive.co.uk/article/opinion-marketing-society-net-print-media-help/65935?src_site=marketingmagazine(July. 7, 2019)
  3. Alexander, H. P.(1989).Museums in Motion: An Introduction to the History and Functions of the Museums.Nashville:The American Association for the State and Local History.
  4. ARTouch 編輯部(2018)。Мockba 的藝術風景線:一覽普希金博物館珍藏。典藏藝術家庭,視野。資料來源:https://artouch.com/view/content-905.html,檢索日期:2019 年7 月4 日。
  5. Bigley, J.D.(1987).Marketing in museums: background and theoretical foundations.The Museum Studies Journal,3(1),14-28.
  6. Burcaw, G.E.(1997).Introduction to museum work.London:Altamira Press.
  7. Dean, D.(1994).Museum Exhibition Theory and Practice.London:Routledge.
  8. Dijkstra, M.,Buijtels, E. J. J. M. J.,Raaij, W. F.(2005).Separate and joint effects of medium type on consumer responses: A comparison of television, print, and the Internet.Journal of Business Research,58(3),377-386.
  9. Dodge, M.,Kitchin, R.(2000).Mapping Cyberspace.London:Routledge.
  10. Drucker, P. F.(1973).Management: Tasks Responsibilities Practices.New York:Harper and row.
  11. Everett, M. R.(1995).Diffusion of Innovations.New York:The Free Press.
  12. Gardner, George S.,程延年(譯)(1988)。特展之本質。博物館學季刊,2(1),51-54。
  13. Hill, L.,O' Sullivan, C.,O' Sullivan, T.(2003).Creative Arts Marketing.Oxford:Butterworth-Heinemann.
  14. Hoffman, D. L.,Novak, T. P.(1997).A new marketing paradigm for electronic commerce.The Information Society,13,43-54.
  15. Kotler, P.,Leny, S.J.(1969).Broadening the concept of Marketing.Journal of Marketing,33(1),10-15.
  16. Kotler, P.,Roberto, Ned,Lee, Nancy R.(2002).Social Marketing: Improving the Quality of Life.California:SAGE.
  17. Kotler, P,Keller, K.(2008).Marketing Management.Upper Saddle River, New Jersey:Prentice Hall.
  18. Lauterborn, R. F.(1990).New Marketing Litany: 4Ps Passe; C-Words Take Over.Advertising Age,61(41),26.
  19. LinkedIn SlideShare (2018). Digital in 2018 in Eastern Asia. Available: https://www.slideshare.net/wearesocial/digital-in-2018-in-eastern-asia-86866557(July. 20, 2019)
  20. McLuhan, M.(1994).Understanding Media: The Extensions of Man.Cambridge:The MIT Press.
  21. Medium(2019)。2019 年你必須知道的Instagram 統計數據。資料來源:https://medium.com/hububble/2019-of-instagram-stats-a0b7a4f43536,檢索日期:2019 年9 月22 日。
  22. Museum for a New Century(1984).Commission on museums for a new century.Washington, D.C.:American Association of Museum.
  23. Museums Association(n.d.). Frequently Asked Questions:What Is A Museum? Retrieved from https://www.museumsassociation.org/about/frequently-asked-questions(June. 27, 2019)
  24. Shimp, T.A.(2008).Advertising Promotion and Other Aspects of Integrated Marketing Communications.Boston:Delmar.
  25. Shklovsky, Viktor,方珊(譯)(1989).俄國形式主義文論選.北京:三聯出版社.
  26. 中時電子報(2017)。臉書除了按讚表情符號最紅的是它。首頁,財經。資料來源:https://www.chinatimes.com/realtimenews/20170224005806-260410?chdtv,檢索日期:2019 年7 月19 日。
  27. 王嵩山(2003)。特展雙刃。博物館學季刊,17(1),5-6。
  28. 王薇(2009)。論4V 營銷組合理論對企業競爭力的提升。現代商業,2009(4C),98-99。
  29. 艾文.托佛勒,黃明堅(譯)(1981).第三波.臺北:經濟日報社.
  30. 吳金明(2001)。新經濟時代的“4V”營銷組合。中國工業經濟,6,70-75。
  31. 呂冠瑩(2015).廣告學概論:整合行銷傳播觀點.新北:前程文化事業股份有限公司.
  32. 夏學理,陳尚盈,羅皓恩,王瓊英(2011).文化市場與藝術票房.臺北:五南圖書出版股份有限公司.
  33. 財團法人臺灣網路資訊中心(2018)。2018 年臺灣網路報告。資料來源:https://www.twnic.net.tw/doc/twrp/201812e.pdf,檢索日期:2019 年9 月21 日。
  34. 高凱,楊莉(2009)。基於4V 理論的廣東高新技術企業行銷組合探析。現代商業,2009(9B),58-59。
  35. 國立故宮博物院(2019)。「故宮文化輕旅行」邀偏鄉學子樂遊俄羅斯普希金博物館名畫風景。故宮博物院官方網站首頁,訊息專區,新聞專區。資料來源:https://www.npm.gov.tw/Article.aspx?sNo=04010566,檢索日期:2019 年7 月5 日。
  36. 崔銀河(2008).21 世紀廣告學實用教材廣告媒體研究.北京:中國傳媒大學出版社.
  37. 連俐俐(2015)。特展化妝師淺談特展行銷進化史。藝術認證,63,26-33。
  38. 陳國寧(2018)。【專文】博物館的定義:從21 世紀博物館的社會現象反思。中華民國博物館學會。資料來源:http://www.cam.org.tw/%E3%80%90%E5%9C%8B%E5%85%A7%E5%A4%96%E8%B3%87%E8%A8%8A%E3%80%91%E5%8D%9A%E7%89%A9%E9%A4%A8%E7%9A%84%E5%AE%9A%E7%BE%A9%EF%BC%9A%E5%BE%9E21%E4%B8%96%E7%B4%80%E5%8D%9A%E7%89%A9%E9%A4%A8%E7%9A%84%E7%A4%BE%E6%9C%83%E7%8F%BE%E8%B1%A1%E5%8F%8D%E6%80%9D/,檢索日期:2019 年7 月5 日。
  39. 陳媛(1993)。故宮莫內展的觀眾調查與分析。博物館學季刊,7(4),35-44。
  40. 曾信傑(2001)。特展-博物館行銷的利器?。博物館學季刊,15(3),39-49。
  41. 黃依婷(2012)。臺北,東吳大學社會學系碩士班。
  42. 聯合數位文創(2018)。展覽介紹。色廊展Color Gallery_高雄站。資料來源:http://uevent.udnfunlife.com/colorgalleryexhibition_KHC/?fbclid=IwAR2jkU2FMUebMl4ti0CGLhgRNVDuYHohunwkmD1DcDCWZadMTD5RTV3knI4,檢索日期:2019 年9 月21 日。
  43. 聯合數位文創(2018)。展覽介紹。悠遊風景繪畫-俄羅斯普希金博物館特展。資料來源:https://uevent.udnfunlife.com/PushkinExhibition/,檢索日期:2019 年7 月4 日。
  44. 聯合數位文創(無日期)。關於聯合數位文創。資料來源:https://udnfunlife.com/#p2-about,檢索日期:2019 年6 月27 日。
  45. 蘇思云(2018)。臺灣IG 月活躍用戶數已近三分之一人口!亞瑞特數位社群行銷執行長黃逸旻:用這5招提高粉絲數。首頁。觀點。深度解讀。資料來源:https://www.cheers.com.tw/article/article.action?id=5092097,檢索日期:2019 年9 月22 日。