解析浦浪克〈Toccata〉彈奏技巧

Interpreting Francis Poulenc's "Toccata"

10.6793/JNTCA.200610.0006

謝綉莉(Shiow-Lih Lillian Shieh)

浦浪克 ； 鋼琴 ； 鋼琴教學 ； 觸技曲 ； piano ； piano pedagogy ； Poulenc ； Toccata

藝術學報

79期（2006 / 10 / 01）

45 - 62

繁體中文

浦浪克(Francis Poulenc, 1899-1963)作有不少鋼琴曲，於二十世紀鋼琴音樂史佔有一席之地。然而，其作品於國內尚屬陌生，實為可惜。本研究擬就鋼琴演奏及教學角度，探討浦浪克鋼琴作品《Trois pièces》中最出名樂章〈Toccata〉之彈奏技巧。首先，將先探討《Trois pièces》及其前身《Trois pastorales》之關係，再探討〈Toccata〉樂章之速度、踏瓣、力度、曲調抑揚及觸鍵技巧等詮釋要領，並列舉練習步驟及相關手部姿勢，具體說明彈奏技巧及如何避免不必要之不適或傷害，提供演奏及教學參考，盼能使演奏、教學者更進一步認識浦浪克及二十世紀法國鋼琴音樂。

Francis Poulenc (1899-1963), one of the most important French composers in the Twentieth-century, composed many masterpicecs for solo piano. However, Poulenc's piano music is still relatively unknown to many piano students in Taiwan, thus the purpose of this paper is aimed at investigating the interpretation of one of Poulenc's most popular works-Toccata from Trois pièces. A brief comparision between Trois pièces and its forunner Trois pastorales will be included at the beginning, followed by the interpretation of Poulenc's Toccata: tempo, pedal, dynamics, articulation, and touch, respectively. Musical examples are included to illustrate the practicing procedures. It is hoped that this paper may be a reference guide for piano instructors and/or students.

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