蕭邦作品第二十二號風格之探究

A Research on the Style of Chopin's op.22

10.6793/JNTCA.200610.0008

楊景蘭(Ching-Lan Yang)

蕭邦 ； 平滑的行板 ； 大波羅耐舞曲 ； 鋼琴與管弦樂 ； Andante Spianato ； Chopin ； Grand Polonaise ； Piano and Orchestra

藝術學報

79期（2006 / 10 / 01）

63 - 94

繁體中文

蕭邦為鋼琴與管弦樂所作的第二十二號行板與燦爛的大波羅耐舞曲，始於1831年蕭邦離開華沙以前，而完成於他定居於巴黎後的1834年，是當時所謂「燦爛風格」的代表作之一。大波羅耐舞曲中管弦樂前奏與間奏，由於經常以鋼琴改編之版本被演奏，因此這首作品也被視為鋼琴獨奏曲。 有關蕭邦作品之研究大多集中於練習曲、敘事曲、詼諧曲、和奏鳴曲等，波羅耐舞曲作品二十二則一直缺乏完整之研究資料，因此本研究希望藉由對此作品創作背景、風格特徵的深入研究，能提供教學或演奏之參考。研究內容除了包括前言與相關文獻探討，研究核心將是第三章的樂曲分析，樂曲分析將先後以行板與大波羅耐舞曲的樂曲架構、和聲特徵、曲調與節奏特色分項討論，演奏或教學時可能遇到的問題與解決方式也將一併討論。最後一章將總結此研究之結果，整理構成此作品風格之各項特徵與詮釋之要點。

The Andante Spianato and Grand Polonaise Brillante op.22 was composed between 1831 and 1834, while Chopin was ready to leave Warsaw, and finally settled in Paris. It is one of Chopin's works which represent ”Brilliant Style”. The Grand Polonaise is often performed by piano alone with the orchestra part rearranged for piano solo; therefore, this work can be treated as a piano solo piece. The purpose of this research is hoped to provide a practical reference for performers and piano teachers through detailed analysis of this work. It contains foreword, related articles, music analysis. The music analysis including two parts: the Andante Spianato and the Grand Polonaise. Each includes the analysis of musical structure, harmonic languages, characteristics of melodies and rhythms. Finally, piano techniques are discussed.

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