李斯特鋼琴改編曲中創作特色與技巧之探討－以舒伯特代表性藝術歌曲為例

The Characteristic and Technique in the Piano Transcriptions of Franz Liszt: A Study of Selected Lieder by Franz Schubert

10.6793/JNTCA.200704.0007

楊青琳(Ching-Ling Yang)

李斯特 ； 鋼琴改編曲 ； 舒伯特 ； 藝術歌曲 ； Liszt ； piano transcription ； arrangement ； paraphrase ； Schubert ； lieder

藝術學報

80期（2007 / 04 / 01）

61 - 83

繁體中文

改編曲在西方音樂的發展過程，一直深受不少作曲家和演奏家們的重視及參與，其中浪漫時期作曲家李斯特(Franz Liszt, 1811-1886)在鋼琴改編曲的領域裡，被視為最具代表性的人物之一。 本文以李斯特改編舒伯特(Franz Schubert, 1797-1828)藝術歌曲的鋼琴作品為探討主題，其研究方法分為三部分：（一）改編曲意義與類型的介紹；（二）李斯特於鋼琴改編曲的創作概況與分類研究；（三）從創作特色與鍵盤技巧分析李斯特改編舒伯特藝術歌曲之鋼琴作品。研究結果將有助於學習者或彈奏者對此領域文獻的瞭解或音樂演奏詮釋的提升。

The transcription in the development of western music history is considered important genre by composers and performers all the time. Numerous musicians had greatly participated by the transcribing different types of musical works. Franz Liszt (1811-1886) is one of the most representative composers in the field of piano transcription during the Romantic period. The object of this research focuses on Liszt's piano transcriptions of Schubert's lieder, which is divided into three parts: (1) the meaning and type of transcription; (2) the overview and classification of Liszt's piano transcription; (3) the writing of characteristic and keyboard technique in Liszt's piano transcriptions of Schubert's lieder. The result of this project can facilitate the learners and the piano players who study the reference and the interpretation of music performance in this field.

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