佛瑞聯篇歌曲op.95“夏娃之歌”第一至四首作品之研究

A Study of Gabriel Fauré's Song Cycle "La Chanson d'Eve" op.95, No.1-4

10.6793/JNTCA.200710.0133

翁嘉琳(Chia-Ling Woong)

佛瑞 ； 夏娃之歌 ； 聯篇歌曲 ； Fauré ； La Chanson d'Eve ； song cycle

藝術學報

81期（2007 / 10 / 01）

133 - 163

繁體中文

佛瑞(Gabriel Urbain Fauré, 1845-1924)的聯篇歌曲“夏娃之歌”(La Chanson D'Eve)，係採用比利時象徵派詩人雷貝吉(Charles van Lerberghe, 1861-1907)的詩作。“夏娃之歌”大意在於以上帝創造夏娃，藉著夏娃來表達神秘、朦朧、幸福的極樂世界，並對夏娃所見所聞種種事物的豐富想像與感情表達；這是佛瑞晚期最具哲學深度的一部聯篇歌曲。從聽眾欣賞的角度來說，佛瑞的夏娃之歌確實是一部具有挑戰性的聯篇歌曲之一，當全曲被完整的演唱時並不易讓觀眾欣賞接受，必須經由深刻精鍊的聲樂家及精僻的詮釋，才能使聽眾由感動而認同。

Gabried Fauré (1845-1924) is one of the great composers of French Song who deeply influenced the 19th century French melodie as a true art song. From 1906 to 1910, Fouré spent five years writing this most unknown but ambitions song cycle which can also claim to be the best example of Fauré's late song style. The purpose of this research was to aim at the intrpretation of Faurés most difficut late works as well as to provide a pratical reference for performer and accompanist through detailed analysis. This research paper includes Foreword, related articles, music, poetry analysis and music example to illustrate the praticing procedures. Besides, each song includes the analysis of musical and structure harmonic languages, characteristic of melodies and rhythm. Finally vocal technique and interpretation are discussed.

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