题名 |
造形讀寫技術的開發與其效能 |
并列篇名 |
The Development of the Technology of Plastic Reading/Writing and Its Benefits |
DOI |
10.6793/JNTCA.200804.0033 |
作者 |
鄭凱元(Kai-Yuan Cheng) |
关键词 |
技術 ; 造形 ; 語言 ; 媒體 ; 讀寫能力 ; Technology ; Plastic ; Language ; Media ; Reading and Writing Ability |
期刊名称 |
藝術學報 |
卷期/出版年月 |
82期(2008 / 04 / 01) |
页次 |
33 - 48 |
内容语文 |
繁體中文 |
中文摘要 |
隨著造形語言的開發,技術成爲認知及管理環境的一種戰略,促使媒體之形成以載述著概念與倫理。同時媒體也成爲閱讀二次自然(社會生態)的重要工具。就演化的效益其主要的作用不在於吸收訊息,而在回應訊息。如今處於多元對話的時空,圖像以單句的言語供觀覽者閱讀其意義成爲記號(sign)。記號又以符碼(code)的形式被用來標示觀察者所判別之事物的關係位置,將一些屬於認知之內在世界的結構逐次也被繪製出來,藉此轉化爲方法論進行規劃與創作。將如此運作的形式注入造形文脈中,編製著對話型影像。造形語言也就如此地開啟演繹、辯證、編碼、抽離種種過程,引領人們展現讀寫經驗,令文本隨著時空延伸。本論文依記號、圖示、筆觸、色彩、影像、位移等造形技術語言之發展及認知結構進行分析,以探究其在讀寫效能演化機制,並作評論。 |
英文摘要 |
With the development of plastic language, technology has become a strategy of recognizing and managing environment, facilitating the media encompassing concepts and ethnics to come into being. Furthermore, in the light of the benefits of evolution, media as a significant implement of reading the Second Nature (social ecology) does not take on its function of receiving messages but responding to them. In an environment of multi-lateral dialogues, an image can be read as a single sentence by its viewer and thus become a ”sign”. The ”sign” is codified to anchor the relative position made by its observers, gradually remapping their underlying cognitive structure and is eventually turned into a methodology of planning and creating. Instilling this process into the plastic context, a dialogue image will be produced. Therefore, the plastic language has unfolded a serial process of interpretation, dialectics, encoding and decoding, leading people to show their experiences of reading and writing, rendering the text to extend in accordance of the space and time. |
主题分类 |
人文學 >
藝術 |
参考文献 |
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