從訊息的「質」與「素」之組成演化論文化語言的產出

Elaborating the Occurrence of Cultural Language from the Viewpoints of the Composition and Evolution of the "Quality" and "Essence" of Message

10.6793/JNTCA.201010.0395

鄭凱元(Kay-Yuan Cheng)

訊息 ； 機制 ； 配置方式 ； 解構 ； 重構 ； message ； mechanism ； dispositional pattern ； deconstruction ； reconstruction

藝術學報

87期（2010 / 10 / 01）

395 - 411

繁體中文

經由訊息和資訊的中英文之字義相關探討，論述此兩者的組成結構以析出其間「質」、「素」的運作型態，並採用現象學的觀念與之比對來進行詮釋。藉此切入以探討訊息的機制組成。此一組成型態需透過心性活動促使官能和知覺所整合的概念有個形象，以便裝載在媒體上呈現具體的訊息。就實務的需求，訊息要能與另一個主體對話方得論及文化上的意義。此款訊息的產出自有其配置方式，進行策略上的管理及戰略上的應用，且評量著它所編組媒材在物我對話中可釋放的能量，來修正其本身的效度。訊息一旦被記錄之後，既物化爲資訊接受歷時性的人、事、地、物之遷變型檢視，在其內藏資源重新被揭發而解構。生靈爲了解決對新環境所認知的問題，將此項技術滲入相異的元素或因素，以便再度構組起不同的媒介與認知工具，其目的在於滿足主體對相關事物的消費及詮釋之需求。畢竟事物的運行總是在向心力和離心力相互牽扯中發展，而人的生命演化形態在此機制以理性衝動探尋掌握主體之原則與方法，同時因感性的衝動欲求飛往客體與之聯繫溝通以開拓本體之新領域而產生叛離既定法則而蛻變。雖然兩者在意識活動上是對立的，卻於意識深淵浮現爲意志之際相互呼喚，現今的文化理論試圖將其縱切出來，編組成第三類型，因此第三性、第三種文化、第三感性等等稱謂孕育而生。

Through the relative discussion of the message and information of the meanings of some Chinese and English terms, here we try to discourse their constitutive structures in order to analyze the functional pattern of ”quality” and ”essence,” and meanwhile to interpret them by comparing with the phenomenological concepts. The mechanical composition of message requires complicate mental activities to form the integrated sensual and perceptual concepts so as to load the concrete message presented in media. For practical needs, message requires some sort of dialogue with other subjects in order to discourse the cultural meanings. There are some dispositional patterns to produce this kind of message for proceeding tactical management and application, and also for evaluating the energy delivered by the medium within the dialogue between object and ego to revise its efficiency. As soon as message is loaded, it is materialized as accepting information of historical transitionary examination of person, event, location and object, in which the resource can be recovered and deconstructed. Hereby human beings will go through diverse elements for resolving the cognitive problems of confronting new environments, in order to reconstruct different intermediary and cognitive instruments for the purpose of the satisfaction of subjects' desire for the consumption and interpretation toward relative objects. After all, the function of objects always develops between tropism and anti-tropism, and the forms of life evolution of human beings follow this mechanism can search the method of controlling subjectivity by their rational impulse and sensational impulse, and thus human beings are tempted to communicate with objectivity so as to explore a new ontological horizon and to subvert the conventions. Although the rational impulse and sensational impulse are the conscious activity counterparts with each other, they call for each other by their wills deepened down the conscious abyss, and the contemporary culture theories intend to slit the counterparts into the third category, and therefore breeding the so-called third nature, third culture and third sensibility.

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