题名

『詩中詩創作法』課程之設計與體驗

并列篇名

The Course Design and Experience Based on the Method of "The Poem of the Poem Creation"

DOI

10.6793/JNTCA.201204.0373

作者

鄭月秀(Giffen Yueh-Hsiu Cheng);蕭仁隆(Jen-Lung Hsiao)

关键词

創意方法 ; 非線性文學 ; 詩中詩 ; 課程設計 ; Creative Method ; Nonlinear Literature ; The Poem of the Poem ; Course Design

期刊名称

藝術學報

卷期/出版年月

90期(2012 / 04 / 01)

页次

373 - 401

内容语文

繁體中文

中文摘要

本研究以德希達的解構理論為根本,以新詩進行讀寫雙重閱讀之自我創作,發現此文本具有(詩題有變,詩境不變)、(詩題有變,詩境有變)、(詩題不變,詩境不變)和(詩題不變、詩境有變)等四種變化類型,及內延性、斷裂性、隨意性、遊戲性、虛空化、概念化、詩意化等七大特點。本研究根據此特性建構了「詩中詩創作法」體驗課程,並透過現場觀察、問卷以及訪談,探索此法應用於課程活動的可行性。根據體驗課程執行的結果分析,證實『詩中詩創作法』所具備的7大特性除有效提升文學創作能力之外,更可以應用於創意思考的訓練課程。

英文摘要

The methodology in this research, ”The Poem of the Poem” by applying the playful context to create, called ”The Method of Poem of The Poem” for short, is to make use of read-write dual reading with difference idea, combining Derrrida's Deconstruction and nonlinear literature as its base. According to Our research term's previous out comes, the playful context containing the following four types of changeful forms; namely, ”If only the topic of poem changes and the poem's locale stays the same” ”If only the topic of poem changes and the poem's locale does, too” ”If only the topic of poem stays the same and the poem's locale does the same, too,” and ”If only the topic of poem stays the same and the poem's locale changes,” as well as the seven kinds of characteristics; that is, Difference, Noncontinuousness, Chance, Game, Empty, Thinking, and Poetic. The core concept of this paper is to develop a workshop for ”The Poem of the Poem” creation, In order to identify if the four types of changeful forms and the seven kinds of characteristics mentioned above are true, and the possibility of infusing them into course activities. According to the results carrying off from the participants of this workshop and surveys, which including course observation, questionnaire and interview, this paper has justified that four types of changeful forms and the seven kinds of characteristics from ”The Poem of the Poem of Playful Context Creation Method” is not only a great use of literature creation, but a capacity for creative thing discipline oriented course.

主题分类 人文學 > 藝術
参考文献
  1. Derrida、汪堂家譯(1999)。論文字學。上海:
  2. Derrida、張寧譯(2004)。書寫與差異。臺北:麥田。
  3. Derrida、趙興國譯(1998)。文學行動。北京:中國:
  4. Huizinga, J.(1955).HOMO LUDENS a study the play-element in culture.Boston:Beacon Press.
  5. Johson, Christopher、劉雅蘭譯(1999)。德希達。臺北:城邦。
  6. Vincent, B. L.(Ed.)(2001).The Norton Anthology of Theory and Criticism.New York:W. W. Norton & Company.
  7. 白靈(2006)。一首詩的誕生。台北:九歌文化。
  8. 白靈(2004)。一首詩的玩法。台北:九歌文化。
  9. 尚杰(1999)。德希達。長沙:湖南:
  10. 揚大春(1995)。解構理論Jacques Derrida。臺北:生智文化。
  11. 楊大春(1994)。解構理論Deconstruction。臺北:楊智文化。
  12. 楊大春(1996)。德希達。臺北:揚智文化。
  13. 楊大春(1996)。解構理論。台北:揚智出版社。
  14. 蕭仁隆、鄭月秀(2010)。文中之文,詩中之詩:Web2.0世代中非線性文學的遊戲文本。美育,178,34-73。
被引用次数
  1. 鄭月秀(2016)。探究創意與靈感啟發的教育:從文字到設計的教學實踐。藝術學報,98,85-116。