题名 |
華彥鈞《二泉映月》作品分析與詮釋 |
并列篇名 |
Hua Yen-Jun (The Reflection of the Moon on the Lake) Work Analys and Explanation |
DOI |
10.6793/JNTCA.201210.0179 |
作者 |
朱文瑋(Wen-Wei Chu) |
关键词 |
華彥鈞 ; 瞎子阿炳 ; 二胡 ; 二泉映月 ; Hua Yen-Jun ; A-Bing the Blind ; ErHu ; The Reflection of the Moon on the Lake |
期刊名称 |
藝術學報 |
卷期/出版年月 |
91期(2012 / 10 / 01) |
页次 |
179 - 197 |
内容语文 |
繁體中文 |
中文摘要 |
《二泉映月》是著名民間藝人華彥鈞(瞎子阿炳)最膾炙人口的一首二胡曲。它是以一個主題為基礎,並進行多次的變奏手法,使得全曲跌宕起伏,寓意深刻,耐人尋味。阿炳將傳統的演奏技法融入他的創作與演奏中,形成另一新風貌。本文主要藉由阿炳的原始錄音,以及楊蔭瀏記譜的版本,來探討阿炳的創作與演奏手法,還原《二泉映月》的本來面貌,進而讓演奏者在詮釋樂曲時,能充分掌握演奏要點,然後更能適切地融入自己的理解與看法。 |
英文摘要 |
”The Reflection of the Moon on the Lake” is the most popular ErHu music made by the folk musician Hua YenJun(A-Bing the Blind). It is based on one topic and developed to many different aspects of presentation. The music of the whole piece goes up and down. The meaningful inspect is also inspiring. A-bing involved the traditional playing skills to his creativity and musical presentation He successfully transfers the old aspect to a new world. This article focuses on A-bing's creation and his music presentaion by the original voice of A-bing himself and the copy writing of Yang YinLiu. At the same time, the author tries to present the original aspect of the piece ”The Reflection of the Moon on the Lake”, and moreover, to help all the players catch the spirits and the key points of the music when they play it. Also, the players can put their own ideas and inspiration to the piece properly. |
主题分类 |
人文學 >
藝術 |
参考文献 |
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