英文摘要
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An intimate link connects writer, work and regional culture. Each aspect to varying degrees forges the work. And it is well worth noting that of Su's 21 Ci-poems; almost half contain references to the natural or cultural characteristics of the Mizhou region. This revealed, we now explore Su's spirit world in Mizhou and its formation, through his distinct humanistic sense of regional characteristics. This study uses relevant historical, geographical, and cultural theory. Through the ten most relevant Ci-poems of Su and their related works, we trace the trajectory of emotions from strangeness, adaption, solicitude, to attribution from the diachronic writing of scenery.We also review his reflections on human life and political ideals from the writing of local customs, and this is reflected in his philosophy that merges the essence of Confucianism with philosophical Taoism as can be felt in the poet's interaction with Mizhou culture that is boldly unsophisticated and unrestrained. And the poet here masters a rare nostalgia and ambition that each stanza boldly conveys.This work as a mirror of Mizhou regional culture is of a great importance and shows an expansion of the subject matter and transformation of style in Su's Ci-poems.
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