「自然之美與藝術經典的國家品味」：十八至十九世紀初印刷文化對英國貴族鄉間別墅形象的塑造

＂Our National Taste for Whatever is Beautiful in Nature, or Classical in Art＂:Shaping the Image of Country Houses in 18^(th-) and 19^(th-) Century English Print Culture

謝佳娟(Chia-Chuan Hsieh)

鄉間別墅景觀 ； 印刷文化 ； 參訪指南 ； 遊記 ； 藝術收藏 ； 國家品味 ； views of country houses ； print culture ； guidebooks ； travel accounts ； art collections ； national taste

藝術學研究

25期（2019 / 12 / 01）

1 - 91

繁體中文

本文從印刷文化的視角，探討英國貴族鄉間別墅從私人財產成為國家品味表徵的過程。十八世紀中葉起，隨著英國境內旅行風氣的興盛與出版業的發達，鄉間別墅景觀成為版畫出版中醒目的新類別；大量出版的參訪指南與遊記也廣為描述了鄉間別墅的建築、庭園、乃至藝術收藏。1770年代末起，更興起結合了圖與文的貴族鄉間別墅版畫集。這些圖文出版，使得貴族私人宅邸成為公眾矚目的對象，並促使鄉間別墅被視為英國美景與藝術寶庫的觀看方式獲得普及。本文首先爬梳鄉間別墅景觀版畫的演變，追索鄉間別墅版畫集此種出版品類型的興起。接著探討參訪指南與遊記中對鄉間別墅藝術收藏的描述。最後，再聚焦於十九世紀初鄉間別墅版畫集的發展，討論其如何對鄉間別墅景觀與藝術收藏內容提出新的觀看方式。

Looking at how English country houses were represented in print, this article explores the process through which the status of country houses was transformed from private property to symbolic of national taste. From the mid-18th century, with the rise of domestic travel and the printmaking industry, views of country houses became a conspicuous new genre of publication. Increasingly published guidebooks and travel accounts also provided plentiful descriptions of the buildings, gardens, and art collections of country houses. The end of 1770s even witnessed the appearance of a new kind of books which combined pictorial and literary descriptions of country houses. These publications brought country houses into visual focus for the public, and helped popularize the way of seeing country houses as representative of the English landscape and national artistic treasures. This article first traces the development of printed views of country houses and investigates the context in which books of county house prints arose. Guidebooks and travel accounts will then be explored specifically in relation to their descriptions of art collections. Finally, the focus will be on the development of books of country house prints in the early 19th century, so as to examine the proposed new ways of looking at county houses and their art collections.

1. 謝佳娟(2012)。十八世紀英國「宗教藝術」重建的契機：從對拉斐爾圖稿及二則宗教圖像的論辯談起。歐美研究，42(3)，535-590。
   連結：
2. A New Display of the Beauties of England: Or, a Description of the Most Elegant or Magnificent Public Edifices, Royal Palaces, Noblemen’s and Gentlemen’s Seats, and Other Curiosities, Natural or Artificial in the Different Parts of the Kingdom. Adorned with a Variety of Copper Plate Cuts, Neatly Engraved, 2 vols. London: R. Goadby, 1776.
3. St. James’s Chronicle or the British Evening Post, 15-17 July 1777.
4. Oxonia Illustrata in BnF: （2018 年11 月 12 檢索）
5. The Virtuosi’s Museum: Containing Select Views, in England, Scotland and Ireland. London: George Kearsley, 1778-1781.
6. Oxonia Illustrata in Rarebookroom.org: （2018年 11 月 12 檢索）
7. Gentleman’s Magazine (April 1852): 420-421.
8. Jones’ Views of the Seats, Mansions, Castles, &c. of Noblemen and Gentlemen in England, Wales, Scotland and Ireland: And Other Picturesque Scenery, Accompanied with Historical Descriptions of the Mansions, Lists of Pictures, Statues, &c. and Genealogical Sketches of the Families and their Possessors: Forming Part of the General Series of Jones’ Great Britain Illustrated, 6 vols. London: Jones & Co., 1829.
9. “Country Homes Gardens Old & New: Shipton Court, Oxfordshire. The Seat of Sir George Compton Reade.” Country Life Illustrated 7: 161 (February 3, 1900): 144-149.
10. Collection and Display: The British Country House, in Paul Mellon Centre for Studies in British Art: （2018 年 10 月 19 日檢索）
11. Anderson, Jocelyn. “Country Houses and The Copper Plate Magazine.” In the British Library website. （2018年 11 月 8 日檢索）。
12. Anderson, Jocelyn(2013).Courtauld Institute of Art.
13. Anderson, Jocelyn(2018).Touring and Publicizing England’s Country Houses in the Long Eighteenth Century.New York:Bloomsbury Academic.
14. Anderson-Riedel, Susanne(2010).Creativity and Reproduction: Nineteenth Century Engraving and the Academy.Newcastle upon Tyne:Cambridge Scholars.
15. Andrews, Malcolm(1989).The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain, 1760-1800.Stanford:Stanford University Press.
16. Arnold, Dana(1998).The Country House: Form, Function and Meaning.The Georgian Country House: Architecture, Landscape and Society,Stroud:
17. Arnold, Dana(ed.)(1998).The Georgian Country House: Architecture, Landscape and Society,Stroud:
18. Atkyns, Sir Robert. The Ancient and Present State of Gloucectershire. London: W. Bowyer, 1712.
19. Aynsley, Jeremy(ed.),Grant, Charlotte(ed.)(2006).Imagined Interiors: Representing the Domestic Interior Since the Renaissance.London:V&A Pub.
20. Aynsley, Jeremy(ed.),Grant, Charlotte(ed.)(2006).Imagined Interiors: Representing the Domestic Interior Since the Renaissance.London:V&A Pub..
21. Ayres, Philip(2009).Classical Culture and the Idea of Rome in Eighteenth-century England.Cambridge:Cambridge University Press.
22. Barczewski, Stephanie(2014).Country Houses and the British Empire, 1700-1930.Manchester:Manchester University Press.
23. Beatniffe, Richard. The Norfolk Tour: Or, Traveller's Pocket Companion. Being a Concise Description and Present State of All the Noblemens and Gentlemens Seats, as Well as of the Principal Towns, and Other Remarkable Places, in the County of Norfolk. Norwich: R. Beatniffe, 1777
24. Beatniffe, Richard. A Description of Holkham House in Norfolk; With a Particular of the Pictures, Statues, Bustoes, and Other Marbles Therein. Published by permission of the Hon. Wenman Coke. Norwich: R. Beatniffe, 1775.
25. Beatniffe, Richard. The Norfolk Tour: Or, Traveller's Pocket Companion. Being a Concise Description and Present State of All the Noblemens and Gentlemens Seats, as Well as of the Principal Towns, and Other Remarkable Places, in the County of Norfolk. Norwich: R. Beatniffe, 1795
26. Beatniffe, Richard. The Norfolk Tour: Or, Traveller's Pocket Companion. Being a Concise Description and Present State of All the Noblemens and Gentlemens Seats, as Well as of the Principal Towns, and Other Remarkable Places, in the County of Norfolk. Norwich: R. Beatniffe, 1808
27. Beatniffe, Richard. The Norfolk Tour: Or, Traveller's Pocket Companion. Being a Concise Description and Present State of All the Noblemens and Gentlemens Seats, as Well as of the Principal Towns, and Other Remarkable Places, in the County of Norfolk. Norwich: R. Beatniffe, 1786
28. Beatniffe, Richard. The Norfolk Tour: Or, Traveller's Pocket Companion. Being a Concise Description and Present State of All the Noblemens and Gentlemens Seats, as Well as of the Principal Towns, and Other Remarkable Places, in the County of Norfolk. Norwich: R. Beatniffe, 1773
29. Beatniffe, Richard. The Norfolk Tour: Or, Traveller's Pocket Companion. Being a Concise Description and Present State of All the Noblemens and Gentlemens Seats, as Well as of the Principal Towns, and Other Remarkable Places, in the County of Norfolk. Norwich: R. Beatniffe, 1772
30. Blore, Thomas. A Guide to Burghley House, Northamptonshire, the Seat of the Marquis of Exeter; Containing a Catalogue of All the Paintings, Antiquities &c. With Biographical Notices of the Artists. Stamford: John Drakard, 1815.
31. Blumin, Stuart M.(2008).The Encompassing City: Streetscapes in Early Modern Art and Culture.Manchester:Manchester University Press.
32. Bonehill, John(ed.),Daniels, Stephen(ed.)(2009).Paul Sandby: Picturing Britain.London:Royal Academy of Arts.
33. Brayley, Edward Wedlake. The History and Antiquities of the Abbey Church of St. Peter, Westminster, 2 vols. London: J. P. Neale, 1818-1823.
34. Brettingham, Matthew, junior. The Plans, Elevations and Sections, of Holkham in Norfolk, the Seat of the Late Earl of Leicester. To which are added. The Ceilings and Chimney-Pieces; And Also A Descriptive Account of the Statues, Pictures and Drawings; Not in the Former Edition. London: T. Spilsbury, 1773.
35. Brettingham, Matthew, senior. The Plans, Elevations and Sections, of Holkham in Norfolk, the Seat of the Late Earl of Leicester. London: J. Haberkorn, 1761.
36. Brewer, John(1997).The Pleasures of the Imagination: English Culture in the Eighteenth Century.London:HarperCollins Publishers.
37. Brown, David,Williamson, Tom(2016).Lancelot Brown and the Capability Men: Landscape Revolution in Eighteenth-century England.London:Reaktion Books.
38. Brown, Jonathan(1995).Kings & Connoisseurs: Collecting Art in Seventeenth-Century Europe.Princeton:Princeton University Press.
39. Bruntjen, Sven H. A.(1985).John Boydell, 1719-1804: A Study of Art Patronage and Publishing in Georgian London.New York:Garland Publishing.
40. Burlington, Charles, David Llewellyn Rees and Alexander Murray. The Modern Universal British Traveller: Comprising All that is Worthy of Observations in Great Britain. London: J. Cooke, 1779.
41. Butlin, Martin,Luther, Mollie,Warrell, Ian(1989).Turner at Petworth: Painter & Patron.London:Tate Gallery.
42. Carré, Jacques(1982).Through French Eyes: Rigaud’s Drawings of Chiswick.Journal of Garden History,2,133-142.
43. Chambers, William, The Townley Collection in the Dining Room at Park Street, Westminster, in the British Museum: （2018 年 10 月 17 日檢索）
44. Chatsworth official website: （2018 年 11 月 5 日檢索）
45. Christie, Christopher(2000).The British Country House in the Eighteenth Century.Manchester:Manchester University Press.
46. Clayton, Tim(1998).Publishing Houses: Prints of Country Seats.The Georgian Country House: Architecture, Landscape and Society,Stroud:
47. Clayton, Timothy(1997).The English Print 1688-1802.New Haven:Yale University Press.
48. Coltman, Viccy(2009).Classical Culture and the Culture of Collecting in Britain since 1760.Oxford:Oxford University Press.
49. Conner, Patrick. “Rooker, Michael (Angelo).” Oxford Art Online (Published online 2003): （2018 年 10 月26 日檢索）。
50. Constable, John, Wivenhoe Park, Essex, in National Gallery of Art, Washington: （2018 年 10 月 23 日檢索）
51. Cowdry, Richard. A Description of the Pictures, Statues, Busto’s, Bassorelievo’s, and Other Curiosities at the Earl of Pembroke’s House at Wilton. London, 1751.
52. Cowell, Ben(2008).The Heritage Obsession: The Battle for England’s Past.Stroud:Tempus Publishing.
53. Craske, Matthew(1997).Art in Europe 1700-1830.Oxford:Oxford University Press.
54. Creed, Cary. The Marble Antiquities, The Right Honble. the Earl of Pembrokes, at Wilton. London, 1731.
55. Dawson, J. The Stranger’s Guide to Holkham: Containing a Description of the Paintings, Statues &c. of Holkham House, in the County of Norfolk; the Magnificent Seat and Residence of T. W. Coke, Esq. Burnham: J. Dawson, 1817.
56. Defoe, Daniel. A Tour through the Whole Island of Great Britain, 3 vols. London: G. Strahan, 1724-1727.
57. Fuhring, Peter(ed.),Marchesano, Louis(ed.),Mathis, Rémi(ed.),Selbach, Vanessa(ed.)(2015).A Kingdom of Images: French Prints in the Age of Louis XIV, 1660-1715.Los Angeles:Getty Research Institute.
58. Gaehtgens, Thomas W.,Marchesano, Louis(2011).Display & Art History: The Düsseldorf Gallery and Its Catalogue.Los Angeles:Getty Research Institute.
59. Gambarini, Carlo. A Description of the Earl of Pembroke’s Pictures. Westminster: A. Campbell, 1731.
60. Gayford, Martin(2016).The Countryside Contains Enough Show-stopping Paintings to Rival the National Gallery.The Spectator,27 August
61. Giordano, Luca, The Death of Seneca, in Burghley House Collections: （2018 年 8 月 21 日檢索）
62. Girouard, Mark(1978).Life in the English Country House: A Social and Architectural History.New Haven:Yale University Press.
63. Griffiths, Antony(1998).The Print in Stuart Britain, 1603-1688.London:British Museum Press.
64. Gunn, Ann V.(2015).The Prints of Paul Sandby (1731-1809): A Catalogue Raisonné.Turnhout:Harvey Miller Publishers.
65. Hale, John(1996).England and the Italian Renaissance: The Growth of Interest in Its History and Art.London:Fontana Press.
66. Harris, John(1995).The Artist and the Country House from the Fifteenth Century to the Present Day.London:Sotheby’s.
67. Harris, John(1979).The Artist and the Country House: A History of Country House and Garden View Painting in Britain 1540-1870.London:Sotheby Parke Bernet.
68. Harris, John(1979).A Country House Index: An Index to over 2000 Country Houses Illustrated in 107 Books of Country Views published between 1715 and 1872, Together with a List of British Country House Guides and Country House Art Collection Catalogues for the Period 1726-1880.London:Pinhorns.
69. Harris, John(2004).Is Chiswick a ‘Palladian’ Garden?.Garden History,32(1),124-136.
70. Harris, John(1994).The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick.New Haven:Yale. University Press.
71. Haskell, Francis(2013).The King’s Pictures: The Formation and Dispersal of the Collections of Charles I and His Courtiers.New Haven:Yale University Press.
72. Hayden, Peter(1985).British Seats on Imperial Russian Tables.Garden History,13(1),17-23.
73. Hayden, Peter(2005).Russian Parks and Gardens.London:Frances Lincoln.
74. Hiskey, Christine(2017).Holkham: The Social, Architectural and Landscape History of a Great English Country House.Norwich:Unicorn Publishing Group.
75. Holkham Hall: （2018 年 8 月 29 日檢索）
76. Horn, John. A History or Description, General and Circumstantial, of Burghley House, the Seat of the Right. Honorable and Earl of Exeter. Shrewsbury: J. & W. Eddowes, 1797.
77. Hsieh, Chia-Chuan(2008).University of Oxford.
78. Hsieh, Chia-Chuan(2009).Publishing the Raphael Cartoons and the Rise of Art-historical Consciousness in England, 1707-1764.The Historical Journal,52(4),899-920.
79. Hunt, John Dixon(2002).The Picturesque Garden in Europe.London:Thames and Hudson.
80. Hutchison, Sidney(1986).The History of the Royal Academy, 1768-1968.London:Robert Royce.
81. Jackson-Stops, Gervase(ed.)(1985).The Treasure Houses of Britain: Five Hundred Years of Private Patronage and Art Collecting.Washington [D.C.]:National Gallery of Art.
82. Jacques, David(2017).Gardens of Court and Country: English Design 1630-1730.New Haven:Yale University Press.
83. Junod, Karen(2011).‘Writing the Lives of Painters’: Biography and Artistic Identity in Britain 1760-1810.Oxford:Oxford University Press.
84. Kelham, Augustus. Photographic Views of Seats in Cheshire, Shropshire, Flintshire and Denbighshire (England, n.d., 1870s).
85. Knyff, Leonard and Johannes Kip. Britannia Illustrata; Or, Views of Several of the Queen’s Palaces, as also of the Principal Seats of the Nobility & Gentry of Great Britain, Curiously Engraven on 80 Copper-Plates. London: David Mortier, 1707.
86. Knyff, Leonard and Johannes Kip. Nouveau theatre de la Grande Bretagne: ou Description exacte des palais de la reine, et des maisons les plus considerables des seigneurs & des gentilshommes de la Grande Bretagne, etc. Londres: David Mortier, 1708.
87. Lambert, George, Classical Landscape, in Tate: （2018 年 10 月 22 日檢索）
88. Lambert, George, View of Copped Hall in Essex, from the Park, in Tate: （2018 年 11 月 8 日檢索）
89. Leca, Benedict(2005).An Art Book and its Viewers: The ‘Recueil Crozat’ and the Uses of Reproductive Engraving.Eighteenth-Century Studies,38(4),623-649.
90. Lippincott, Louise(1983).Selling Art in Georgian London: The Rise of Arthur Pond.New Haven:Yale University Press.
91. Manwaring, Elizabeth Wheeler. Italian Landscape in Eighteenth Century England: A Study Chiefly of the Influence of Claude Lorrain and Salvator Rosa on English Taste, 1700-1800. London: Frank Cass, 1925.
92. Marshall, David(ed.),Russell, Susan(ed.),Wolfe, Karin(ed.)(2011).Roma Britannica: Art Patronage and Cultural Exchange in Eighteenth-Century Rome.London:British School at Rome.
93. Martyn, Thomas. The English Connoisseur: Containing an Account of Whatever is Curious in Painting, Sculpture, &c. in the Palaces and Seats of the Nobility and Principal Gentry of England, both in Town and Country. London: L. Davis and C. Reymers, 1766.
94. Moir, Esther(1964).The Discovery of Britain: The English Tourists 1540-1840.London:Routledge.
95. Mosser, Monique(ed.),Teyssot, Georges(ed.)(2000).History of Garden Design: The Western Tradition from the Renaissance to the Present Day.London:Thames & Hudson.
96. Neale, John Preston. Views of the Seats of Noblemen and Gentlemen, in England, Wales, Scotland, and Ireland, 1st series, 6 vols. London: Sherwood, Neely, and Jones, and Co., and Thomas Moule, 1818-1823; 2nd series, 5 vols. London: Sherwood, Jones, and Co. [etc.], 1824-1829.
97. Neville, H. New Description of Holkham, The Magnificent Seat of T. W. Coke, Esq. M.P. Containing A Full and Accurate Account of the Paintings, Statues, Tapestry, &x. With a Picturesque Tour of the Gardens and Park. Wells: H. Neville, 1826.
98. Nussbaum, F.(ed.),Brown, L.(ed.)(1987).The New Eighteenth Century: Theory, Politics and English Literature.New York:Methuen.
99. Ousby, Ian(1990).The Englishman’s England: Taste, Travel and the Rise of Tourism.Cambridge:Cambridge University Press.
100. Phibbs, John(2016).Capability Brown: Designing the English Landscape.New York:Rizzoli.
101. Plot, Robert. The Natural History of Staffordshire. Oxford, 1686.
102. Pyne, William Henry, The History of the Royal Residences of Windsor Castle, St. James’s Palace, Carlton House, Kensington Palace, Hampton Court, Buckhingham House, and Frogmore, in New York Public Library: （2018 年 10 月 17 日檢索）
103. Pyne, William Henry. The History of the Royal Residences of Windsor Castle, St. James’s Palace, Carlton House, Kensington Palace, Hampton Court, Buckhingham House, and Frogmore. Illustrated by One Hundred Highly Finished and Coloured Engravings, Fac-Similes of Original Drawings by the Most Eminent Artists. In Three Volumes. London: A. Dry, 1819.
104. Quest-Ritson, Charles(2001).The English Garden: A Social History.London:Viking.
105. Remington, Vanessa(2015).Painting Paradise: The Art of the Garden.London:Royal Collection Trust.
106. Retford, Kate(2017).The Conversation Piece: Making Modern Art in Eighteenth-Century Britain.New Haven:Yale University Press.
107. Retford, Kate(2011).‘Peculiarly happy at taking Likenesses’: Zoffany & British Portraiture.Johan Zoffany RA: Society Observed,New Haven:
108. Retford, Kate(2007).From the Interior to Interiority: The Conversation Piece in Georgian England.Journal of Design History,20(4),291-307.
109. Reynolds, Joshua,Wark, Robert R.(ed.)(1997).Discourses on Art.New Haven:Yale University Press.
110. Roach, Catherine(2016).Pictures-within-Pictures in Nineteenth-Century Britain.Abingdon:Routledge.
111. Roding, Juliette(ed.)(2003).Dutch and Flemish Artists in Britain 1550-1800.Leiden:Primavera Pers.
112. Rowell, Christopher,Warrell, Ian,Brown, David Blayney(2002).Turner at Petworth.London:Tate.
113. Russell, Ronald(1979).Guide to British Topographical Prints.Newton Abbot:David & Charles.
114. Sayer, Robert. Robert Sayer’s New and Enlarged Catalogue for the Year MDCCLXXIV. London, 1774.
115. Schmidt, Leo,Keller, Christian(2005).Holkham Hall.Munich:Prestel.
116. Simpson, Frank(1951).The English Connoisseur’ and its Sources.The Burlington Magazine,93(584),355-356.
117. Solkin, David H.(1982).Richard Wilson: The Landscape of Reaction.London:The Tate Gallery.
118. Stobart, Jon(ed.)(2017).Travel and the British Country House: Cultures, Critiques and Consumption in the Long Eighteenth Century.Manchester:Manchester University Press.
119. Stourton, James,Sebag-Montefiore, Charles(2012).The British as Art Collectors: From the Tudors to the Present.London:Scala Publishers.
120. Strong, Roy(2000).The Artist & the Garden.New Haven:Yale University Press.
121. Summerson, John(ed.)(1968).Concerning Architecture.London:Allen Lane.
122. Symes, Michael(2012).The Picturesque and the Later Georgian Garden.Bristol:Redcliffe.
123. Symes, Michael(1984).The Landscape Park Engravings of Luke Sullivan.Journal of Garden History,4(2),179-189.
124. Tinniswood, Adrian(1998).The Polite Tourist: Four Centuries of Country House Visiting.London:The National Trust.
125. Turner, J. M. W., View of Nuneham Courtenay from the Thames, in Tate: （2018 年 11 月 8 日檢索）
126. Turner, J. M. W., Petworth, Sussex, the Seat of the Earl of Egremont: Dewy Morning, in Tate: （2018 年 10 月 23 日檢索）
127. van Claerbergen, Ernst Vegelin(ed.)(2006).David Teniers and the Theatre of Painting.London:Courtauld Institute of Art Gallery.
128. Walpole, Horace. Ædes Walpolianæ : Or, a Description of the Collection of Pictures at Houghton-Hall in Norfolk, the Seat of the Right Honourable Sir Robert Walpole, Earl of Orford. London, 1747.
129. Walpole, Horace. Anecdotes of Painting in England: with Some Account of the Principal Artists; and Incidental Notes on Other Arts; Collected by the late Mr. George Vertue; and Now Digested and Published from His Original Mss. by Mr. Horace Walpole, 4 vols. Strawberry-Hill: Thomas Farmer, 1762-1780.
130. Watts, William. The Seats of the Nobility and Gentry, in a Collection of the Most Interesting & Picturesque Views. London: W. Watts, 1779-1786.
131. Webster, Mary(2011).Johan Zoffany, 1733-1810.New Haven:Yale University Press.
132. West, Shearer(ed.)(1998).Italian Culture in Northern Europe in the Eighteenth Century.Cambridge:Cambridge University Press.
133. Williamson, Tom(1995).Polite Landscapes: Gardens and Society in Eighteenth-Century England.Baltimore:John Hopkins University Press.
134. Willis, Peter(1972).Jacques Rigaud’s Drawings of Stowe in the Metropolitan Museum of Art.Eighteenth-Century Studies,6(1),85-98.
135. Wilson, Richard, Richard Wilson Online: （2018 年 11 月 21 日檢索）
136. Wilson, Richard, Wilton House from the Southeast, in Yale Center for British Art: （2018 年 11 月 21 日檢索）
137. Winstanley, Henry, Audley End, in Google Arts & Culture: （2018 年 11 月 16 日檢索）
138. Winstanley, Henry, in the British Museum:（2018 年 11 月 16 日檢索）
139. Young, Arthur. A Six Months Tour through the North of England, Containing, An Account of the Present State of Agriculture, Manufactures and Population, in Several Counties of this Kingdom, 4 vols, 2nd edition. London: W. Strahan, 1771.
140. Young, Arthur. A Six Weeks Tour, through the Southern Counties of England and Wales. Describing, particularly, I. The present state of agriculture and manufactures. II. The different methods of cultivating the soil. III. The success attending some late experiments on various grasses, &c. ... In several letters to a friend. London: W. Nicoll, 1768.
141. 張慈倫(2015)。中壢，國立中央大學藝術學研究所。
142. 謝佳娟(2016)。根茲巴羅風景畫研究的變遷及其意義── 一個藝術史學史的考察。新史學，27(6)，151-235。
143. 謝佳娟(2010)。設計的化身、繪畫的文法：十七至十八世紀中葉英國素描概念的演變與意義。新史學，21(4)，57-139。

1. 謝佳娟(2020)。藝術的進程：十八世紀下半葉英國藝術、製造業、商業勵進會對文雅藝術的提倡。藝術學研究，26，57-142。
2. 謝佳娟(2021)。收藏、流通、展示與傳播：對二十世紀末以來西方藝術史研究取徑的一些觀察。藝術學研究，29，1-69。