参考文献
|
-
林雯玲(2019)。閱讀威廉.霍加斯的《賈里克扮演理查三世》圖像:作為劇場文件與社會文本。藝術學研究,24,81-149。
連結:
-
謝佳娟(2012)。十八世紀英國「宗教藝術」重建的契機:從對拉斐爾圖稿及二則宗教圖像的論辯談起。歐美研究,42(3),535-590。
連結:
-
謝佳娟(2019)。「自然之美與藝術經典的國家品味」:十八至十九世紀初印刷文化對英國貴族鄉間別墅形象的塑造。藝術學研究,25,1-91。
連結:
-
A Collection of Prints, from Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakespeare, by the Artists of Great Britain, 2 vols. London: Boydell, 1803.
-
The Plan of an Academy for the Better Cultivation, Improvement and Encouragement of Painting, Sculpture, Architecture, and the Arts of Design in General. London, 1755.
-
勵進會官網:(2019 年 8 月 8 日檢索)
-
A Set of Prints Engraved after the Most Capital Paintings in the Collection of Her Imperial Majesty the Empress of Russia, Lately in the Possession of the Earl of Orford at Houghton Hall in Norfolk. London: Boydell, 1788.
-
Gentleman’s Magazine 26 (Feb. 1756): 61-62.
-
(1986).The Smith Brothers of Chichester.Chichester:Pallant House Gallery.
-
A Catalogue of the Pictures, Sculptures, Models, Drawings, Prints, &c. of the Present Artists. Exhibited in the Great Room of the Society for the Encouragement of Arts, Manufactures, and Commerce, on the 21st of April, 1760.
-
Rules and Orders of the Society, Established at London, for the Encouragement of Arts, Manufacturers, and Commerce. London, 1758.
-
Gentleman’s Magazine 28 (1758): 141.
-
Premiums Offered by the Society Instituted at London for the Encouragement of Arts, Manufactures, and Commerce. London: printed by order of the Society, 1758, 1759, 1760, 1761.
-
Public Advertiser, April 21, 1755.
-
(2006).Oxford Dictionary of National Biography.
-
London Evening Post, May 11, 1754.
-
舊皇家海軍學院官網:“History of the Painted Hall”(2019 年 9 月 3 日檢索)
-
1773. A Catalogue of Prints, Published by John Boydell. London: Boydell, 1773.
-
A Collection of Prints after the Sketches and Drawings of the late G. B. Cipriani Esq., Engraved by Mr. Richard Earlom &c. London: Boydell, 1789.
-
A Collection of Flowers Drawn after Nature & Disposed in an Ornamental & Picturesque Manner. London, 1783-1795.
-
A Register of the Premiums and Bounties Given by the Society Instituted at London for the Encouragement of Arts, Manufactures, and Commerce. London: James Phillips, 1778.
-
An Historical and Critical Review of the Paintings, &c. Now Exhibiting at the Great-Room of the Society Instituted for the Encouragement of Art. Inscribed to the Members of the Society. London: W. Bathoe, 1762.
-
紐約大都會美術館官網:(2019 年 9 月 2 日檢索)
-
A Catalogue of a Large, Curious, and Valuable Collection of Prints, by Ancient and Modern Masters. London: Magazin des Estamps, no year.
-
A Catalogue of the Pictures, &c. in the Shakspeare Gallery, Pall-Mall. London: Boydell, 1794.
-
羅德島設計學院博物館(Rhode Island School of Design Museum)官網:(2019 年 8 月 16 日檢索)
-
Addison, Agnes. “The Legend of West’s ‘Death of Wolfe’,” College Art Journal 5:1 (Nov. 1945): 23-25.
-
Allan, D. G. C.(1974).The Society of Arts and Government, 1754-1800: Public Encouragement of Arts, Manufactures, and Commerce in Eighteenth-Century England.Eighteenth-Century Studies,7(4),434-452.
-
Allan, D. G. C.(1992).Artists and the Society in the Eighteenth Century.The Virtuoso Tribe of Arts & Sciences: Studies in the Eighteenth-Century Work & Membership of the London Society of Arts,Athens:
-
Allan, D. G. C.(1984).Artists and the Society in the Eighteenth Century.Journal of RSA,132,204-205.
-
Allan, D. G. C.(1984).Artists and the Society in the Eighteenth Century.Journal of RSA,132,401-406.
-
Allan, D. G. C.(1984).Artists and the Society in the Eighteenth Century.Journal of RSA,132,271-276.
-
Allan, D. G. C.(1968).William Shipley: Founder of the Royal Society of Arts; a Biography with Documents.London:Hutchinson.
-
Allan, D. G. C.(1984).Artists and the Society in the Eighteenth Century.Journal of RSA,132,339-341.
-
Allan, D. G. C.(ed.),Abbott, John L.(ed.)(1992).The Virtuoso Tribe of Arts & Sciences: Studies in the Eighteenth-Century Work & Membership of the London Society of Arts.Athens:The University of Georgia Press.
-
Allan, D. G. C.,Bennett, Susan(2007).The History of the RSA: A Bibliography.London:The William Shipley Group for RSA History.
-
Allen, Brian(1987).Francis Hayman.New Haven:Yale University Press.
-
Bailey, William. The Advancement of Arts, Manufactures, and Commerce. London: William Adlard, 1772.
-
Bennett, Susan(ed.)(2008).Cultivating the Human Faculties: James Barry (1741-1806) and the Society of Arts.Bethelehem:Lehigh University Press.
-
Bignamini, Ilaria(1988).Art Institutions in London, 1689-1768: A Study of Clubs and Academies.Walpole Society,54,19-148.
-
Bignamini, Ilaria,Postle, Martin(1991).The Artist’s Model: Its Role in British Art from Lely to Etty.Nottingham:University Art Gallery.
-
Bodkin, Thomas(1987).Four Irish Landscape Painters: George Barrett, R. A., James A. O’Connor, Walter F. Osborne, R. H. A., Nathaniel Hone, R. H. A..Dublin:Irish Academic.
-
Brewer, John(1997).The Pleasures of the Imagination: English Culture in the Eighteenth Century.London:HarperCollins Publishers.
-
Bruntjen, Sven Hermann Arnold(1985).John Boydell (1719–1804): A Study of Art Patronage and Publishing in Georgian London.New York:Garland Publishing.
-
Campbell, Kristin(2016).‘The Proprietor Exerts His Utmost Care…’: The Commercial and Commemorative Fates and Fortunes of John Boydell’s Houghton Gallery Project.Agents of Space: Eighteenth-Century Art, Architecture, and Visual Culture,Newcastle:
-
Dallaway, James. A History of the Western Division of the County of Sussex, in Two Volumes, vol. 1. London: T. Bensley, 1815.
-
Dias, Rosie(2013).Exhibiting Englishness: John Boydell’s Shakespeare Gallery and the Formation of a National Aesthetic.New Haven:Yale University Press.
-
Dossie, Robert. Memoirs of Agriculture, and Other Oeconomical Arts, 3 vols. London: Nourse, 1768-1782.
-
Liber Veritatis. Or, A Collection of Two Hundred Prints, After the Original Designs of Claude le Lorrain, in the Collection of His Grace the Duke of Devonshire, Executed by Richard Earlom, in the Manner and Taste of the Drawings. London: Boydell, 1777.
-
Edwards, Edward. Anecdotes of Painters Who Have Resided or Been Born in England. London: Leigh and Sotheby, 1808.
-
The British Herbal, Containing One Hundred Plates of the Most Beautiful and Scarce Flowers and Useful Medicinal Plants which Blow in the Open Air of Great Britain, Accurately Coloured from Nature, with Their Botanical Characters, and a Short Account of Their Cultivation, &c. &c. By John Edwards. The Whole Corrected According to the Latest Editions of Botany. London: printed for the author; and sold by J. Edmonson; and J. Walter, 1769-1779.
-
Emerson, Roger L.(1973).The Social Composition of Enlightened Scotland: the ‘Select Society of Edinburgh.Studies on Voltaire and the Eighteenth Century,114,291-330.
-
Fenton, James(2006).School of Genius: A History of the Royal Academy of Arts.London:Royal Academy of Arts.
-
Ford, Susan Allen(2011).‘The Eye of Anguish’: Images of Cordelia in the Long Eighteenth-Century.Borrowers and Lenders: The Journal of Shakespeare and Appropriation,6(1)
-
Graves, Algernon. Society of Artists of Great Britain 1760-1791, the Free Society of Artists, 1761-1783: A Complete Dictionary of Contributors and Their Work from the Foundation of the Societies to 1791. London: George Bell & Sons, 1907.
-
Green, Valentine. A Review of the Polite Arts in France, at the Time of their Establishment under Louis the XIVth, Compared with their Present State in England… In a Letter to Sir Joshua Reynolds, President of the Royal Academy, and F.R.S. London, 1782.
-
Hargraves, Matthew(2005).‘Candidates for Fame’: The Society of Artists of Great Britain, 1760-1791.New Haven:Yale University Press.
-
Hsieh, Chia-Chuan(2009).Publishing the Raphael Cartoons and the Rise of Art-historical Consciousness in England, 1707-1764.The Historical Journal,52(4),899-920.
-
Hsieh, Chia-Chuan(2013).The Emergence and Impact of the ‘Complete Drawing Book’ in Mid-Eighteenth-Century England.Journal for Eighteenth-Century Studies,36(3),395-414.
-
Hudson, D.,Luckhurst, K.W.(1954).The Royal Society of Arts 1754-1954.London:John Murray.
-
Hutchison, Sidney C.(1960).The Royal Academy Schools, 1768-1830.Walpole Society,38,123-191.
-
Hutchison, Sidney C.(1986).The History of the Royal Academy, 1768–1968.London:Robert Royce.
-
Johnson, Samuel. Idler 45 (24 Feb. 1759).
-
Jones, Thomas. “Memoirs of Thomas Jones,” Walpole Society 32 (1946-1948): 1-143.
-
Kames, Henry Home, Lord. Sketches of the History of Man. Edinburgh: W. Creech, 1774.
-
Kent, Max Louis(2007).Los Angeles,University of California.
-
Kenworthy-Browne, John(2009).The Duke of Richmond’s Gallery in Whitehall.The British Art Journal,10(1),40-49.
-
Kitson, Michael(1966).Hogarth’s ‘Apology for Painters’.Walpole Society,41,46-111.
-
Marchesano, Louis,Michel, Christian(2010).Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV.Los Angeles:Getty Research Institute.
-
Mason, William Hayley. Goodwood. Its House, Park and Grounds, with a Catalogue Raisonné of the Pictures in the Gallery of His Grace the Duke of Richmond. London: Smith, Elder, and Co., 1839.
-
McElroy, Davis Dunbar(1969).Scotland’s Age of Improvement: A Survey of Eighteenth-century Literary Clubs and Societies.Washington:Washington State University Press.
-
Mortimer, Thomas. A Concise Account of the Rise, Progress, and Present State of the Society for the Encouragement of Arts, Manufactures, and Commerce. London, 1763.
-
Musson, A. E.,Robinson, Eric(1969).Science and Technology in the Industrial Revolution.Manchester:Manchester University Press.
-
Myrone, Martin(2005).Bodybuilding: Reforming Masculinities in British Art 1750-1810.New Haven:Yale University Press.
-
Myrone, Martin(2008).Patriotism, Virtue, and the Problem of the Hero: The Society Promotion of High Art in the 1760s.Cultivating the Human Faculties: James Barry (1741-1806) and the Society of Arts,Bethelehem:
-
Myrone, Martin(2009).WSG Occasional PaperWSG Occasional Paper,未出版
-
Paley, Morton D.(2018).George Romney’s Death of General Wolfe.Romantik: Journal for the Study of Romanticism,6(1),51-62.
-
Pape, Walter(ed.),Burwick, Frederick(ed.)(1996).The Boydell Shakespeare Gallery.Bottrop:Peter Pomp.
-
Paulson, Ronald(1991).Hogarth: High Art and Low, 1732-1750.Cambridge:Lutterworth Press.
-
Paulson, Ronald(1993).Hogarth: Art and Politics 1750-1764.Cambridge:The Lutterworth Press.
-
Pearce, Susan(ed.)(2007).Visions of Antiquity: the Society of Antiquaries of London 1707-2007.London:Society of Antiquaries of London.
-
Postle, Martin(ed.)(2005).Joshua Reynolds: The Creation of Celebrity.London:Tate Publishing.
-
Pressly, William L.(2014).James Barry’s Murals at the Royal Society of Arts: Envisioning a New Public Art.Cork:Cork University Press.
-
Puetz, Anne(2008).The Society and the ‘Polite Art’ 1754-1778: ‘best drawing’, ‘High’ Art and Designs for the Manufactures.Cultivating the Human Faculties: James Barry (1741-1806) and the Society of Arts,Bethelehem:
-
Ralph, Benjamin. The School of Raphael: or the Student’s Guide to Expression in Historical Painting. London: J. Boydell, 1759.
-
Redford, Bruce(2008).Dilettanti: the Antic and the Antique in Eighteenth-century England.Los Angeles:J. Paul Getty Museum.
-
Reynolds, Joshua,Wark, Robert R.(ed.)(1997).Discourses on Art.New Haven:Yale University Press.
-
Rosenthal, Michael(1982).British Landscape Painting.Oxford:Phaidon.
-
Rothstein, Natalie(1990).Silk Designs of the Eighteenth Century: In the Collection of the Victoria and Albert Museum.London:Thames & Hudson.
-
Rubinstein, Gregory M.(1991).Richard Earlom (1743-1822) and Boydell’s ‘Houghton Gallery’.Print Quarterly,8(1),2-27.
-
Saumarez Smith, Charles(2012).The Company of Artists: The Origins of the Royal Academy of Arts in London.London:Modern Art Press.
-
Shipley, William. A Scheme for Putting the Proposals in Execution.
-
Shipley, William. Proposals for Raising by Subscription a Fund to be Distributed in Premiums for the Promoting of Improvements in the Liberal Arts and Sciences, Manufactures, &.
-
Sillars, Stuart(2006).Painting Shakespeare: The Artist as Critic, 1720-1820.Cambridge:Cambridge University Press.
-
Sillars, Stuart(2008).The Illustrated Shakespeare, 1709-1875.Cambridge:Cambridge University Press.
-
Smart, Alastair(1952).The Life and Art of Allan Ramsay.London:Routledge & Kegan Paul.
-
Stewart, Brian(2003).Stewart, Brian. “Smith, George (i).” Oxford Art Online, published online 2003..
-
Sumner, Ann(ed.),Smith, Greg(ed.)(2003).Thomas Jones (1742-1803): An Artist Rediscovered.New Haven:Yale University Press.
-
Sunderland, John(1974).Mortimer, Pine and Some Political Aspects of English History Painting.The Burlington Magazine,116(855),317-326.
-
Sunderland, John(1992).Samuel Johnson and History Painting.The Virtuoso Tribe of Arts & Sciences: Studies in the Eighteenth-Century Work & Membership of the London Society of Arts,Athens:
-
Taylor, Brandon(1999).Art for the Nation: Exhibitions and the London Public 1747-2001.New Brunswick, New Jersey:Rutgers University Press.
-
Thunder, Moira(2004).Improving Design for Woven Silks: The Contribution of William Shipley’s School and the Society of Arts.Journal of Design History,17(1),5-27.
-
Whitley, William T.(1968).Artists and Their Friends in London, 1700-1799, vol. 1.New York:Benjamin Blom.
-
Wood, Sir Henry Trueman(2011).A History of the Royal Society of Arts.Cambridge:Cambridge University Press.
-
王資淳(2017)。中壢,國立中央大學藝術學研究所。
-
黃桂瑩(2017)。行善於樂—十八世紀中葉倫敦扶幼院的藝文形象與英國慈善文化。新史學,28(1),115-192。
-
謝佳娟(2010)。設計的化身、繪畫的文法:十七至十八世紀中葉英國素描概念的演變與意義。新史學,21(4),57-139。
|