题名

評介Rewriting Modernism: Three Women Artists in Twentieth-Century China

并列篇名

Review on Rewriting Modernism: Three Women Artists in Twentieth-Century China

作者

劉宇珍(Yu-jen Liu)

关键词
期刊名称

近代中國婦女史研究

卷期/出版年月

34期(2019 / 12 / 01)

页次

279 - 289

内容语文

繁體中文

主题分类 人文學 > 歷史學
社會科學 > 社會學
社會科學 > 社會學
参考文献
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    連結:
  2. (2012).Nan Nü: Men, Women and Gender in Early and Imperial China,14
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  4. Clunas, Craig(2004).Elegant Debts: The Social Art of Wen Zhengming, 1470-1559.Honolulu:University of Hawaii Press.
  5. Dubosc, Jean Pierre(1961).Wen Tcheng-ming et Son Ecole: Peintres Chinoisdu XVIe Siècle.Lausanne:M. Bridel.
  6. Edwards, Richard(1976).The Art of Wen Cheng-ming, 1470-1559.Michigan:University of Michigan Museum of Art.
  7. Gouma-Peterson, Thalia,Mathews, Patricia(1987).The Feminist Critique of Art History.The Art Bulletin,69(3),326-357.
  8. Lee, Hui-shu(2010).Empresses, Art, and Agency in Song dynasty China.Seattle:University of Washington Press.
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  12. Weidner, Marsha(ed.),Edelstein, Debra(ed.)(1989).Views from the Jade Terrace: Chinese Women Artists 1300-1912.Indianapolis:Indianapolis Museum of Art.
  13. Wong, Aida Yuen(ed.)(2012).Visualizing Beauty: Gender and Ideology in Modern East Asia.Hong Kong:Hong Kong University Press.
  14. 江兆申(1977).文徵明與蘇州畫壇.臺北:國立故宮博物院.
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