英文摘要
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This article examines the life of a talented woman Ding Shanyi, who followed her husband in his official travels. Trough the letters she sent to female friends, compiled in Letters from the Double-Cassia Studio, we can see how Ding arranged family affairs in unfamiliar places in the period before the Taiping armies attacked and occupied Jiang-nan region. Ding's thinking and action shows what a married woman was capable of, which was far beyond what is usually imagined of a talented woman living in a hierarchical family during the Ming and Qing dynasties. Letters from the Double-Cassia Studio not only demonstrates the unique image of a hostess, but also displays the social effects of letter-writing. As a result, we should reexamine the terms "old" and "sick" in Ding's letters. Those words were actually euphemisms of refusal, apology, and explanation. Moreover, Ding's rhetoric sheds light on the aging of talented women, which previous studies has neglected. When Ding fled from the Taiping armies, "old" and "sick" became the excuses or her belated farewells to friends. Her letters also represent antebellum Jiang-nan before the tragedy of Hangzhou in 1861. While most historical writings show what men did during the war, Ding's letters preserve women's contributions in taking care of all the family members. The contributions of women should be remembered.
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