英文摘要
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A Mondrian framework on listening is proposed for exploring the essence of musical chords. Within this framework, notes are treated as the basic forms of beauty for listening. Also a musical chord essentially consists of a combination of simultaneous notes, but this combination is under consonance and dissonance constraints. Traditionally consonant and dissonant sounds are subjectively identified through human ears. In fact, critical bandwidth from a biological viewpoint is the main reason why the constraints come, and a detailed analysis of identifying musical chord needs complicated computations. Instead of both approaches, neurogram is used as a main analytical tool in this paper for identifying musical chords. Three stages are involved for explaining the new neurogram approach. First, the relationship among dissonances, beats, and critical bandwidths is analyzed. Especially the theoretical foundation of critical bandwidth formation between two different notes is emphasized. Second the research results are naturally extended to the consonant and dissonant intervals. Then the characteristic features of the corresponding neurograms are identified and extracted objectively. Third the extracted features of neurograms are applied for identifying musical chords such as triads, doubling triads, etc. This new research results not only shorten the analytical process but also enrich the Mondrian framework on listening.
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参考文献
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林金慧(2007)。用蒙德里安架構闡釋音樂的本質。台南科大學報,28,151-155。
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