| 题名 |
數位典藏攝影展的必要性研究 |
| 并列篇名 |
A Study of Necessity for Digital Archives of Photography Exhibitions |
| DOI |
10.30153/JCAGST.200803.0019 |
| 作者 |
李玉清(Yu-Ching Li)；章光和(Kuang-Ho Chang) |
| 关键词 |
數位典藏 ； 攝影 ； 攝影展 ； 攝影集 ； 展覽 ； 網路 ； 空間 ； 藝術 ； digital archive ； photography ； photography exhibition ； photography collection ； exhibition ； internet ； space ； art |
| 期刊名称 |
中華印刷科技年報 |
| 卷期/出版年月 |
2008（2008 / 03 / 01） |
| 页次 |
272 - 283 |
| 内容语文 |
繁體中文 |
| 中文摘要 |
「展覽」是創作者藉由公開的方式來陳列、展示自己的創作，舉辦展覽對創作者而言不僅是個人創作成果的具體呈現，也是與他人交換訊息、獲得回饋的一種方法。 每個攝影展都是創作者作品的具體呈現，每部藝術品都蘊藏潛力，其中可能包含偉大傑出的作品，因此攝影展覽具有值得保存的價值，但實體展覽受限於場地限制，只能在特定的時間、空間展出，為了典藏攝影展覽，讓後續的人都有機會欣賞，通常最常採用的方法是出版攝影展的紙本攝影集。 過去攝影作品以銀鹽相紙為主要典藏方式，而攝影展的紙本攝影集的出版量由於受限於經費和市場規模，發行數量普遍在一千本以下，隨著時間日久，紙本攝影集由於數量有限，注定消失在書店書架上，少數圖書館典藏或個人收藏的攝影集也可能發生遺失、剝損等情形，紙本攝影集受限於發行數量和保存地點，讓許多優秀攝影展的場景只能留在老一輩人的腦海裡。 數位資料擁有無限複製的特性，除存放於硬碟，更可燒成光碟收藏，而網站內容可藉由開放下載，讓瀏覽者自由下載檔案至個人電腦中觀看，數位影像資料具有不限次數複製、不限一時一地的傳播特性，因此利用數位科技來典藏攝影展必然成為未來趨勢。 透過數位典藏攝影展，期望能在網路空間中建立一個屬於影像創作者的園地，彼此觀摩學習，同時也是優良的攝影教育網站，幫助攝影初學者瞭解攝影的創作觀念，進而提昇台灣的視覺文化。 |
| 英文摘要 |
An ”exhibition” is a way for a creator to show his/her own work in a public manner. For the creator, holding an exhibition is not only the concrete expression of the results of his/her creation, it is also a way to exchange information and get feedback from other people. Every photography exhibition is the concrete expression of a creator's works, and each work holds potential, and may include a great masterpiece. Therefore a photography exhibition possesses a value that deserves to be preserved. But a physical exhibition is restricted by the site limits, and can only be held at a specific time and space. To archive photography exhibitions, and give future generations the chance to appreciate them, the most frequently used method is to publish paper photo albums of the exhibition. In the past, works of photography were mainly archived using silver halide photographic paper, but since the publishing quantities of paper photo albums was limited due to the expense and market scope, they were usually published in quantities of less than a thousand copies. Due to the fact that paper photo albums were made in limited quantities, as time passed, they were fated to disappear from the shelves of bookstores, and paper photo albums in a small number of library collections or personal collections could go missing or get damaged. Paper photo albums are limited by publishing quantities and storage locations, causing so many excellent photography exhibitions to only exist in the memories of people in the previous generation. Digital data possesses unlimited reproducibility. It can be stored on hard drives, and burned onto recordable disks for storage. And website content can be freely downloaded, allowing viewers to transfer the files to be viewed on their personal computers. Digital image data can be reproduced an unlimited number of times. It is not limited to being broadcast at one time and one place. Therefore using digital technology to archive photography exhibitions will necessarily become a future trend. Through digital archives of photography exhibitions, it is hoped that a space for image creators can be established on the Internet for mutual observation and study. At the same time, excellent photography education websites can help beginning photographers to understand the creative concepts of photography, and in this way advance Taiwan's visual culture. |
| 主题分类 |
工程學 >
工程學總論 社會科學 > 傳播學 |
| 参考文献 |
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