劇場元素在擊樂作品中的運用

吳思珊

doi:10.6835/TNUA.2008.00037

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剧场元素在击乐作品中的运用

The Application of Theatrical Elements in Percussion Works

吴思珊 , 博士　　导师：朱宗庆　　

繁体中文 DOI： 10.6835/TNUA.2008.00037

击乐；击乐作品；现代音乐；剧场；音乐剧场；剧场元素；卡格尔；阿贝尔吉斯；作品分析；演奏分析； Percussion music ； Percussion works ； Contemporary music ； Theatre ； Music Theatre ； Theatrical element ； Kagel ； Aperghis ； Composition analysis ； Performance analysis

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摘要 │ 被引用文献 (1) │ 国际计量

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Twentieth century music has broken the boundary of tonality and fixed forms. Composers today have more freedom and opportunity to unleash their creativities. The artistic form such as Music Theatre which integrates the music, dance, theatre and multimedia arts thus becomes a reality. The creators would need more discretion when generating the ideas because of that. The percussion music, known for its diverse instruments and abundant sound variations, appears to be an important source of inspiration under such as current of thoughts. The sound innovation, instrumentation and necessary body impulse for the percussion music performance provoke the consideration of visual design, encouraging the creators to cross over different artistic elements and to enrich the solid image of music.

Percussion works with artistic elements aside from pure instrument-playing appeared in the late 70s.  Some of the representative composers are Mauricio Kagel (1931~) and Georges Aperghis (1945~). To the present, there are still numerous composers, soloists and ensembles continue to make debut on this trend. To accomplish a presentation fulfilled with audio and visual artistry, the performers usually need to think from an alternative angle for the rehearsals and performances. This dissertation studies the application of theatrical elements in percussion works in terms of literature reviews, clinical rehearsals and performances by exploring the historical background and the analysis of the percussion works.

The first part of the thesis is a historical review of percussion music and the works with theatrical elements. The researcher explores several cultural roots of percussion music, the evolution of percussion music in the Western music world and their influence on the following development in the Twentieth century. The second part of the thesis focuses on the integration of percussion performance and theatrical elements. The researcher discusses the definition of theatre arts. How the theatrical elements are applied in the percussion works are clearly explained and exemplified, including body moment, position, vocal, emotion expression, costume design, lighting design, and props. In the last part, eight works with significant status in adopting theatrical elements are thoroughly discussed and analyzed.

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李翠芸(2017)。击乐作品《静思．搧动》之音乐分析与诠释。国立台北艺术大学管弦与击乐研究所击乐组学位论文。2017。1-56。

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引用含有DOI的文献

DOI可强化引用精确性、增强学术圈连结，并给予使用者跨平台的良好使用经验，目前在全世界已有超过五千万个对象申请DOI。 如想对DOI的使用与概念有进一步了解，请参考 （ ） 。

DOI可强化引用精确性、增强学术圈连结，并给予使用者跨平台的良好使用经验，目前在全世界已有超过五千万个对象申请DOI。如想对DOI的使用与概念有进一步了解，请参考（）。