「文化動起來」：賽德克族文化產業的研究

王梅霞; 伊婉‧貝林

doi:10.30157/JCRTF.201206.0006

山西大学，您好！

感谢采购，人社期刊库｜人社论文库，期间：2025/01/01~2025/12/31

感谢试用，科学期刊库｜科学论文库，期间：2024/10/20~2025/01/20

浏览高级检索

关闭
检索检索高级检索出版物检索
浏览期刊主题浏览核心期刊浏览期刊拼音浏览

关闭

查询符号(半角)	查询符号意义说明
空格	表示为「AND」两个查询词之交集
双引号 ( " " )	片语以双引号标示开始及结束，而且只寻找出现顺序相同的字词，例： " image process "
?	表示一个字母切截，输入两个?表两个字母，依此类推，例：输入「Appl?」，查得结果应为appl e , appl y … ( 常用于英文字查询 )
*	表示不限字母切截，由0~n. 例：输入「appl*」，查得结果应为appl e , appl es , appl y , appl ied , appl ication … ( 常用于英文字查询 )
AND、OR、NOT	布尔逻辑组合关键字，用来扩大或缩小查询范围的技巧。 (1) AND ：缩小查询范围 (2) OR ：扩大查询范围(3) NOT：排除不相关的范围

DOI 是数位物件识别码（ D igital O bject I dentifier ）的简称，
为物件在网路上的唯一识别码，可用于永久连结并引用目标物件。

使用DOI作为永久连结

每个DOI号前面加上「 http://dx.doi.org/ 」便成为永久网址。
如以DOI号为 10.5297/ser.1201.002 的文献为例，此文献的永久连结便是： http://dx.doi.org/ 10.5297/ser.1201.002 。
日后不论出版单位如何更动此文献位置，永久连结所指向的位置皆会即时更新，不再错失重要的研究。

引用含有DOI的文献

有DOI的文献在引用时皆应同时引用DOI。若使用APA、Chicago以外未规范DOI的引用格式，可引用DOI永久连结。

DOI可强化引用精确性、增强学术圈连结，并给予使用者跨平台的良好使用经验，目前在全世界已有超过五千万个对象申请DOI。如想对DOI的使用与概念有进一步了解，请参考（）。

ACI:

数据来源：Academic Citation Index，简称ACI

台湾最大的引用文献资料库，目前收录台湾与港澳地区所出版的人文学、社会学领域学术期刊之书目资料与参考文献，总期刊量超过690种，每年定期公布收录期刊的影响指数(Impact Factor)等指标给大众，并提供专家学者与学术单位实用的计量与分析功能。

五年影响指数（5-Year Impact Factor）：某一期刊前五年所出版的文章在当年度的平均被引用次数。

公式：（前五年发表论文在统计年的被引用次数）÷（前五年论文产出论文总篇数）

例如：A期刊2017年之五年影响指数

(A期刊2012-2016年发表论文在2017年的被引总次数)/(A期刊2012-2016年发表的论文总数)

什么是预刊文章？

为提供读者最前线之学术资讯，于期刊文献获同意刊登后、纸本印制完成前，率先于网路线上发表之文章即为预刊文章。预刊文章尚未有卷期、页次及出版日期资讯，但可藉由DOI号识别。 DOI号是文献的数位身份证字号，不论预刊或正式出版皆不会改变，读者可点击DOI连结，或于DOI号前面加上「 http://dx.doi.org/ 」连结到文献目前最新版本。

如何引用预刊文章？

请使用预刊文章的线上发表日期及DOI号来引用该篇文献。

引用范例(视不同引文格式规范可能有所差异)：

作者姓名。文章篇名。期刊名称。 YYYY/MM/DD线上预先发表。

doi:DOI 号

来源数据

P233 - 286

人文学 > 艺术

DOI： 10.30157/JCRTF

书目管理工具

相关连结

问题回报

全文下载

「文化动起来」：赛德克族文化产业的研究

"Activating the Sediq Culture": A Study of Cultural Industry in a Sediq Community

王梅霞(Mei-Hsia Wang) ；伊婉‧贝林(Iwan Pelin)

民俗曲艺； 176 期 (2012 / 06 / 01) ， P233 - 286

繁体中文 DOI： 10.30157/JCRTF.201206.0006

文化产业；织布；意象；仪式；赛德克族； cultural industry ； weaving ； image ； ritual ； the Sediq

0 个人觉得这篇文章赞

摘要 │ 参考文献 (38) │ 被引用文献 (5) │ 国际计量

摘要〈TOP〉

并列摘要〈TOP〉

Cultural industry demonstrates different forms of combining economy and culture. On the one hand, due to the speedy mobility of capital, information, and population, the local community is confronted with a very competitive challenge coming from international forces. On the other hand, the emphasis on ”cultural capital,” such as local knowledge and historical heritage, provides the local people a chance to subjectively interpret their cultures. As ”economy” is presented in the ”cultural form” during cultural industry development, culture is reconstructed, standardized, and objectified as ritual, festival, sport, garment, food, etc. In this process, culture is deconstructed, reconstructed, and represented in a new form. The local people redefine their cultures for fulfilling outer needs and making an inner transformation. This aspect is further associated with colonial government and national construction. Hence, cultural recognition is a dynamic process and a field of power display which includes the possibility of negotiation, competition, and re-creation.Regarding the research of ”culture industry” in Taiwan, many studies have discussed this issue from the aspects of policy promotion, economic development, community empowerment, and tourism. This article tries to discuss culture industry from an anthropological viewpoint, and explores how social or cultural features are operated, transferred, and re-created in the developmental process of cultural industry. This paper, firstly, describes how cultural industry is shaped by different power sources. Capitalism, power from Western churches, and different national departments affect the development of cultural industry. Interaction between the local and the global also plays an important role. Moreover, I will take several weaving workshops as examples to show the hosts' interaction experience with the outside world before establishing their workshops. Social networks based on the individual demonstrate how the Sediq social characteristics operate in a contemporary context.In addition, this article analyzes various interpretations regarding weaving patterns as part of the process of cultural reinvention. As entangled objects, weaving cloth embodies multiple images that combine with different meanings in different contexts. Furthermore, this paper discusses relationships between people and cloth, and highlights the locals' agency. The weavers' psychological journey gives us insight into the process of inter-construction between the subjectivity of human agents and the objectification of objects. In other words, a weaver constructs her identity through the sublation of an object's characteristics. The relationships between humans and objects are, therefore, dialectical. Moreover, learning and teaching weaving provides chances of constructing social networks and sociality. As community members construct social relations through sharing characteristics, a person's identity is an epitome of social relations and the process of reconstruction. More importantly, weaving is a field in which women can practice waya (literally, norms) and communicate with utux (literally, spirits). It could be viewed as a female ritual. Thus women participate in the regeneration of cosmic order through weaving.

参考文献 ( 38 ) 〈TOP〉

Wang, Mei-hsia(2008).The Invention of Ethnicity and Culture: A Comparative Study on the Atayal and the Truku in Taiwan.Journal of Archaeology and Anthropology,68,1-44.
连结：
王梅霞(2009)。从「交换」看族群互动与文化再创造：日治初期苗栗地区泰雅族的研究。考古人类学刊，71，93-144。
连结：
陈芬苓(2008)。原住民经济困境与社区文化产业发展之可能─以桃竹苗地区为例。国家与社会，4，1-41。
连结：
傅茹璋(2002)。新经济时代地方文化产业发展之研究─以莺歌陶瓷文化产业为例。规划学报，29，39-57。
连结：
颜亮一、许肇源、林金城(2008)。文化产业与空间重构：塑造莺歌陶瓷文化城。台湾社会研究季刊，71，41-69。
连结：

被引用文献 ( 5 ) 〈TOP〉

国际计量

〈TOP〉

E-mail ：

文章公开取用时，将寄通知信至您填写的信箱地址