美國阿帕拉契山區的特殊宗教音樂

韓國鐄; Kuo-Huang)

山西大学，您好！

感谢采购，人社期刊库｜人社论文库，期间：2025/01/01~2025/12/31

感谢试用，科学期刊库｜科学论文库，期间：2024/10/20~2025/01/20

浏览高级检索

关闭
检索检索高级检索出版物检索
浏览期刊主题浏览核心期刊浏览期刊拼音浏览

关闭

查询符号(半角)	查询符号意义说明
空格	表示为「AND」两个查询词之交集
双引号 ( " " )	片语以双引号标示开始及结束，而且只寻找出现顺序相同的字词，例： " image process "
?	表示一个字母切截，输入两个?表两个字母，依此类推，例：输入「Appl?」，查得结果应为appl e , appl y … ( 常用于英文字查询 )
*	表示不限字母切截，由0~n. 例：输入「appl*」，查得结果应为appl e , appl es , appl y , appl ied , appl ication … ( 常用于英文字查询 )
AND、OR、NOT	布尔逻辑组合关键字，用来扩大或缩小查询范围的技巧。 (1) AND ：缩小查询范围 (2) OR ：扩大查询范围(3) NOT：排除不相关的范围

DOI 是数位物件识别码（ D igital O bject I dentifier ）的简称，
为物件在网路上的唯一识别码，可用于永久连结并引用目标物件。

使用DOI作为永久连结

每个DOI号前面加上「 http://dx.doi.org/ 」便成为永久网址。
如以DOI号为 10.5297/ser.1201.002 的文献为例，此文献的永久连结便是： http://dx.doi.org/ 10.5297/ser.1201.002 。
日后不论出版单位如何更动此文献位置，永久连结所指向的位置皆会即时更新，不再错失重要的研究。

引用含有DOI的文献

有DOI的文献在引用时皆应同时引用DOI。若使用APA、Chicago以外未规范DOI的引用格式，可引用DOI永久连结。

DOI可强化引用精确性、增强学术圈连结，并给予使用者跨平台的良好使用经验，目前在全世界已有超过五千万个对象申请DOI。如想对DOI的使用与概念有进一步了解，请参考（）。

ACI:

数据来源：Academic Citation Index，简称ACI

台湾最大的引用文献资料库，目前收录台湾与港澳地区所出版的人文学、社会学领域学术期刊之书目资料与参考文献，总期刊量超过690种，每年定期公布收录期刊的影响指数(Impact Factor)等指标给大众，并提供专家学者与学术单位实用的计量与分析功能。

五年影响指数（5-Year Impact Factor）：某一期刊前五年所出版的文章在当年度的平均被引用次数。

公式：（前五年发表论文在统计年的被引用次数）÷（前五年论文产出论文总篇数）

例如：A期刊2017年之五年影响指数

(A期刊2012-2016年发表论文在2017年的被引总次数)/(A期刊2012-2016年发表的论文总数)

什么是预刊文章？

为提供读者最前线之学术资讯，于期刊文献获同意刊登后、纸本印制完成前，率先于网路线上发表之文章即为预刊文章。预刊文章尚未有卷期、页次及出版日期资讯，但可藉由DOI号识别。 DOI号是文献的数位身份证字号，不论预刊或正式出版皆不会改变，读者可点击DOI连结，或于DOI号前面加上「 http://dx.doi.org/ 」连结到文献目前最新版本。

如何引用预刊文章？

请使用预刊文章的线上发表日期及DOI号来引用该篇文献。

引用范例(视不同引文格式规范可能有所差异)：

作者姓名。文章篇名。期刊名称。 YYYY/MM/DD线上预先发表。

doi:DOI 号

来源数据

P1 - 24

人文学 > 艺术

DOI： 10.29873/GMJ

书目管理工具

相关连结

问题回报

全文下载

美国阿帕拉契山区的特殊宗教音乐

The Unique Religious Music in the Appalachian Mountains of America

韩国鐄(HAN ； Kuo-Huang)

关渡音乐学刊； 34 期 (2021 / 08 / 01) ， P1 - 24

繁体中文

美国早期宗教音乐；圣诗带唱；形状音符歌唱；《神圣竖琴》； Early American religious music ； lined-out hymns ； shape-note singing ； Sacred Harp

0 个人觉得这篇文章赞

摘要 │ 参考文献 (33) │ 国际计量

摘要〈TOP〉

并列摘要〈TOP〉

The subject of this study is the unique style of early Christian music in North America which is not well known outside the United States. When British immigrants landed on the northeastern shore to establish ＂New England,＂ they brought with them the Psalter, a type of a cappella and monophonic sacred music sung in call-and-response style known as ＂lining-out.＂ In the 18th century, Singing Schools were established in the colonies in order to improve the singing of church music by teaching the public to read music. The teachers were mostly self-taught, but they arranged, harmonized, and composed many three- and four-part pieces of religious music. To simplify the reading of musical notation, they employed note-heads of different shapes that reminded the singer of the proper solfege syllables. This ＂shape-note＂ notation flourished during the 19th and early 20th centuries. Both lined-out and shape-note styles of music were introduced to the Appalachian Mountains and have been maintained in some churches ever since, most famously through the publication of The Sacred Harp. Although sacred music in the cities and even in many rural churches was gradually replaced by the more familiar European classical music style, the earlier traditions persisted like ＂living fossils.＂ It is interesting to know that shape-note singing and its repertoire have been reintroduced to many areas of the States and overseas as favorite nonprofessional choral activities since the 1970s. It even attracted the attention of Hollywood when it was included in the 2003 movie Cold Mountain. It also generated interest in academia as a subject for research and as a worthy repertoire for college choirs. In the process of tracing shape-note hymns, their social setup, performance practice, tune sources and musical characteristics are discussed, with special attention to their so-called ＂unorthodox＂ musical writing, which had been heavily scorned by mainstream art critics. However, Charles Seeger (1886-1979), the dean of American musicology who analyzed some of the shapenote compositions in the 1930s, humorously proclaimed ＂Here is the true style!＂ He argued that shape-note hymns were both more advanced than contemporary (19th and early 20th centuries) compositions and comparable to the Medieval styles. Thus, the shape-note repertoire represents the dual characteristics of ＂cultural avant-garde＂ and ＂cultural regress.

参考文献 ( 33 ) 〈TOP〉

Bakeless, John Edwin. 1939. Daniel Boone: Master of the Wilderness. New York: William Morrow & Co.
Binns, Stephen. 2000. “A Shape-Note Singing Lessen, Grades 3-8; Lesson Plan by Leanne Wiberg and Ella Wikos.” Smithsonian In Your Classroom. October. https://folkways-media.si.edu/docs/lesson_plans/FLP10069_usa_shapenote_singing.pdf (Accessed May 19, 2021)
Brennan, Grey. 2020. “Henagar: The Sound of (Sacred Harp) Music.” https://alabama.travel/road-trips/henagar-the-sound-of-sacred-harp-music#h-7 (Accessed March 26, 2021)
Chase, Gilbert(1987).Music: from the Pilgrims to the Present.Urbana & Chicago:University of Illinois Press.
Cobb, Buell E., Jr.(1978).The Sacred Harp: A Tradition and Its Music.Athens:University of Georgia Press.

国际计量

〈TOP〉

E-mail ：

文章公开取用时，将寄通知信至您填写的信箱地址