蒙太奇論穆時英〈上海的狐步舞〉

The View of Montage for Mu Shiying's "Shanghai Fox Trot Dance"

10.7045/YJCS.201112.0098

鍾正道(Jeng‐Dau Jung)

穆時英 ； 上海的狐步舞 ； 蒙太奇 ； 新感覺派 ； 都市小說 ； Mu Shiying ； Shanghai Fox Trot Dance ； Montage ； New Sensational School ； Urban Fiction

漢學研究集刊

13期（2011 / 12 / 01）

97 - 115

繁體中文

〈上海的狐步舞〉是穆時英新感覺派作品中最精粹之作，以電影蒙太奇思維為基礎，精心鋪排蒙太奇結構與切分組接的技巧，於炫奇的迴旋與衝突感之外，還傳達了破碎虛幻的都市樣貌與生命意識。蒙太奇在〈上海的狐步舞〉中，不僅是刺激感官的語言，還成為一種理性體認世界的方式，兼容了話語與圖像文化的優越性，是為穆時英迷戀都市的書寫策略。

”Shanghai Fox Trot Dance” is the most standing work among Mu Shiying's new sensational school works. There are delicately arranged Montage structure and editing cut skills based on the idea of Montage movie. In additional to stunning loops and feeling of confrontation, it also coveys the broken and visionary look of urban city as well as life consciousness. Montage's ”Shanghai Fox Trot Dance” is not only a language stimulating the senses, but also a rational way to experience the world. The writing containing both language and picture is the strategy of Mu Shiying as writing the obsession to the city.

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